Gradually the little house at Holly Lodge assumed its usual aspect.
The Colonel and Betty were flooded with offers of hospitality and with
all sorts of services--those kindly acts which in country communities
bridge over catastrophes. Fortescue was gone, having left the second
day after Christmas. On that day he had come over to Holly Lodge to say
good-by and to offer the resources of Rosehill in any emergency. He had
come while Betty was watching Kettle, and although the Colonel urged
that he might call her, Fortescue evaded it, and cut his visit short.
The Colonel asked him if he himself had suffered any evil effects from
the fire. Fortescue replied that his eyes had given him some trouble
from the smoke, and that he would use the rest of his leave in going to
New York to see an oculist. He supposed it was nothing, and that his
eyes would cease to trouble him probably before he got to New York. The
Colonel told this to Betty in good faith, but Betty's interpretation
was that Fortescue needed an excuse to go away as soon as possible, and
gave herself no concern about his eyes. In her heart, however, still
burned a deep resentment, and a longing regret for Fortescue. He was so
brave--he was so much the soldier--and then Betty would check herself
sternly, and try to think of him no more.
As the winter days went by, Kettle grew stronger, and was able to
sit up in a little chair by the kitchen fire. Betty spent many hours
amusing him, his little round, black face delighted with the simple
games she taught him and the stories she told him. His Christmas
presents had been given him, and of them all his new pocket-knife was
his chief delight. He would sit by the hour before the kitchen fire,
whittling industriously, and Aunt Tulip never once complained of the
clutter he made. Betty charmed him by occasionally wearing the great
green and gilt brooch, and the Colonel religiously read through "The
Principles of Hydraulics in Mining." In the evening, before Aunt
Tulip put him to bed, it was Kettle's treat to be helped into the
sitting-room and to listen to Betty playing and singing to her harp, or
the Colonel playing on his violin. The boy's arms had been frightfully
burned, but his hands had escaped. Several times he said to Betty, with
a strange look of distress upon his little black face:
"Miss Betty, I want to arsk you sumpin'. I want you to arsk the doctor
sumpin'."
"What is it, Kettle?" Betty would inquire.
"I tell you pres'ny," Kettle would reply. But the "pres'ny" did not
come for a long time. Then, one day in March, when Kettle was able to
walk about and was almost well, he crept up to Betty in the garden, and
said to her hesitatingly:
"Miss Betty, what I want you to arsk the doctor is, whether I kin ever
play the fiddle agin. I been tryin' to arsk 'im, but somehow I k'yarn'
do it."
Public-domain text, read in full here on John Shaqi.
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