There they told me that the book was an old, and possibly, valuable
treatise, on Italian poisons and Italian poisoners. They translated for
me the passages which were underscored. The passages in question dealt
with the pleasant practice with which the Borgias were credited of
having destroyed their victims by means of rings--poison rings. One
passage in particular purported to be a minute description of a famous
cameo ring which was supposed to have belonged to the great Lucrezia
herself.
As I read a flood of memory swept over me--what I was reading was an
exact description, so far as externals went at any rate, of the cameo
ring, which I had seen Lilian Trowbridge remove after he was dead from
one of the fingers of Decimus Vernon's left hand. I recalled the
frenzied exultation with which she had thrust it on my notice, her
almost demoniac desire that I should impress it on my recollection.
What did it mean? What was I to understand? For three or four days I
was in a state of miserable indecision. Then I resolved I would keep
still. The man and the woman were both dead. No good purpose would be
served by exposing old sores. I put the book away, and I never looked
at it again for nearly eighteen years.
The consciousness that his wife had spoken to me, with such a voice
from the grave, did not tend to increase my desire to cultivate an
acquaintance with Arthur Crampton. But I found that circumstances
proved stronger than I. Crampton was a lonely man, his marriage had
estranged him from many of his friends; now that his wife had gone he
seemed to turn more and more to me as the one person on whose friendly
offices he could implicitly rely. I learned that I was incapable of
refusing what he so obviously took for granted. The child, which had
cost the mother her life, grew and flourished. In due course of time
she became a young woman, with all her mother's beauty, and more
than her mother's charms: for she had what her mother had always
lacked--tenderness, sweetness, femininity. Before she was eighteen she
was engaged to be married. The engagement was in all respects an ideal
one. On her eighteenth birthday, it was to be announced to the world.
A ball was to be given, at which half the county was expected to be
present, and the day before, I went down, prepared to take my share in
the festivities.
In the evening, Crampton, his daughter, Charlie Sandys, which was the
name of the fortunate young gentleman, and I were together in the
drawing-room. Crampton, who had vanished for some seconds, re-appeared,
bearing in both his hands, with something of a flourish, a large
leather case. It looked to me like an old-fashioned jewel case. Which,
indeed, it was. Crampton turned to his daughter.
"I am going to give you part of your birthday present to-day,
Lilian--these are some of your mother's jewels."
Public-domain text, read in full here on John Shaqi.
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