Between the Larch-woods and the WeirKlickmann, Flora
General
Between the Larch-woods and the Weir
Klickmann, Flora
Country life -- England; England -- Social life and customs -- 20th century; Friendship; Household employees
Eileen was wearing a white Jap silk skirt; a transparent rose pink
blouse, that revealed the satin ribbon and lace camisole beneath; pink
cotton open-work stockings; white shoes; one of those long stoles made
of metallic-looking, lustre-brown fur, so beloved of the laundry girl;
a big white hat, trimmed with the most violent of tangerine-coloured
velvet, said velvet hanging in festoons down the back, and loops of
it caught round the front and fastened to the fur stole—on one side
with a large would-be-diamond lizard, about four inches long, and on
the other with a crescent of similar make. Her hair, which was done in
a wild imitation of the latest eccentricity of fashion, was radiant
with more crescents and a sparkling three-tiered back comb. A string of
large pearls adorned her neck.
To say I was taken aback at the sight, is to put it mildly; I was
fairly dumb with astonishment. Where in the world had that demure,
mouse-like orphan been to pick up such ideas! Even though I knew she
had gone to work in a munition factory, I wasn’t prepared for such
developments. She soon enlightened us.
After mutual polite inquiries about each other’s health, and a few more
relative to the grandmother, she folded her hands in her lap, sat as
though posing for a photograph, and then said: “And please, how do you
think I look?”
“You are certainly very bright,” I stammered, striving valiantly after
truth.
“Yes, I look very nice, don’t I?” she went on; “and I felt I ought
to come round and show you, because, as I tell everybody, it’s all
entirely due to _you_, ma’am, that I’m so stylish. I shouldn’t never
have _thought_ to dress like this, if you hadn’t taught me how. And now
I’m going round to show myself to Mrs. Griggles.”
XII
The Old Wood-House
THE old wood-house stands on the lee-side of a belt of trees, part of
the Squirrels’ Highway, as we call it, that runs down one side of the
Flower-patch, sheltering it from the bleak north winds.
Picture to yourself a building rather smaller than a very small church,
built of great blocks of grey stone, with walls nearly two feet thick
in places, a red-tiled pointed roof, a door at one end; and in case the
walls should prove too flimsy to stand the winter gales, huge stone
buttresses prop it up on the “off” side (i.e. the side where the ground
goes on running downhill), lest the structure should take it into its
head to run down-hill too!
In place of a spire, above the door, a weathercock swings its arrow
to the winds—at least, it would swing it on any well-conducted apex,
but being merely mine it permanently points south. Not that it is
particular where it points; all it asks is to be left in peace to close
its eyes in meditative contemplation of the landscape. We occasionally
get a ladder and then a long stick, and move it round, trying to
urge it to deeds of derring-do, but it falls asleep the moment our
ministrations cease.
Public-domain text, read in full here on John Shaqi.
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