Between the Larch-woods and the WeirKlickmann, Flora
General
Between the Larch-woods and the Weir
Klickmann, Flora
Country life -- England; England -- Social life and customs -- 20th century; Friendship; Household employees
On the western side where the ground drops down—a warm, snug and
sheltered bank—in the long grass white violets bloom by the thousand
in the early spring, their sweet little blossoms streaked with mauve,
nestling up to the old grey walls with the trustfulness of little
children. Add to this long-fronded ferns growing out from among the
wall stones, and you have an idea of the geography of the place.
On a hot day the cool shade on the north side is an ideal resting
place; on a chilly day the south side gives you a shield from the wind.
A pile of tree trunks and old logs lying outside fairly ask you to sit
for a moment and take in some of the loveliness of the scene—you can
never exhaust the whole of it—and if you sit for a minute you will
probably sit there for hours.
Here is absolute quiet of spirit, but never silence. The trees are
seldom still; all day and all night the wind upon these hills sways
the tall, lithe tops of the larches to and fro, to and fro; the leaves
and the catkins of the birches are for ever fluttering; the vibrant
branches of the pines hum and sing in the breezes, summer or winter;
the music of it all never ceases though it varies in volume according
to the season. On the hottest summer days the grasses still sigh; the
bees hum all day long in the clover; the blue-tits tweet and twitter
as they swing about the birches, and their cousins the coal-tits keep
up an endless run of comment in the larches. In May the nightingale
comes into the grove to sing; in June rival chaffinches perch on the
top spikes of certain spruce trees—always the same bird on the same
spike—and defy each other and the world in general. The stock-dove
croons over its nest in the tallest firs, and the reddy-brown squirrel
scolds you severely if you are coming too near his own particular
chosen tree.
* * * * *
Inside the wood-house you may find many things; some you are prepared
for, some you are not. In theory, it is sacred to the use of the Head
of Affairs, a sort of play-house and workshop combined, wherein no
handy man is supposed to set foot, and no prying eyes are supposed to
discover that the owner is working in a jersey, with no qualms over the
absence of waistcoat and stiff collar.
But I often go in when I am anxious to be alone and wanting many
things that one cannot put down in words. And knowing this, the Head
of Affairs doesn’t keep his best saws there!—not the splendid big
“Farmer’s Saw,” with its doubly notched teeth, that run through big fir
trunks with amazing ease; nor the finer tools that deal with the short
snappy branches. No, the saw that is left for such emergencies is a
nondescript article that has now a wavy—very wavy—edge, and a few of
its teeth doubled over; a saw that seems as though you can never get
it well into the wood, and once you have got it in, it can’t be got
out again, much less be made to move with soft purring motion.
Public-domain text, read in full here on John Shaqi.
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