But all the graves were not in the churchyard. The whole village was
dotted from end to end with them, some alone in secluded corners,
others in rows in the backyards and vegetable gardens. Most of them
were marked with crosses, each made of two pieces of packing-case or
biscuit-box, with a number, rank, name, and regiment printed in
indelible pencil. On some of the graves were bead-work flowers, on
others a jam-pot or crock holding a handful of withered sun-dried
flower-stalks. Nearly all were huddled in close to house or garden
walls, one even in the narrow passage between two houses. There were,
in many cases, other and less ugly open spaces and gardens offering a
score of paces from these forlorn last resting-places apparently so
oddly selected and sadly misplaced; but a second look showed that in
each case the grave was dug where some wall or house afforded cover to
the burying-party from bullets. In the bright sunlight, half-hidden
under or behind heaps of debris, with crosses leaning drunkenly aslant,
these graves looked woefully dreary and depressing. But the files of
men moving round and between them, or stepping carefully over them,
hardly gave them a glance, except where one in passing caught at a
leaning cross and thrust it deeper and straighter into the earth. But
the men's indifference meant no lack of feeling or respect for the
dead. The respect was there, subtle but unmistakable, instanced
slightly by the care every man took not to set foot on a grave, by the
straightening of that cross, by those withered flowers and dirty
wreaths, even as it has been shown scores of times by the men who crawl
at risk of their lives into the open between the forward trenches at
night to bring in their dead for decent burial.
Public-domain text, read in full here on John Shaqi.
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