Love stories; Orphans -- Fiction; Southern States -- Fiction; Women -- Fiction
Subsequently, Mr. Lockhart requested Beulah to sing her forest song
for him again. The blood surged quickly into her face, and, not
without confusion, she begged him to excuse her. He insisted, and
tried to draw her from her seat; but, sinking further back into the
corner, she assured him she could not; she never sang, except when
alone. Dr. Hartwell smiled, and, looking at her curiously, said:
"I never heard her even attempt to sing. Beulah, why will you not
try to oblige him?"
"Oh, sir! my songs are all connected with sorrows. I could not sing
them now; indeed, I could not." And as the memory of Lilly, hushed
by her lullaby, rose vividly before her, she put her hands over her
eyes and wept quietly.
"When you come home from your Oriental jaunt, she will be able to
comply with your request. Meantime, Percy, come into the study; I
want a cigar and game of chess."
Beulah quitted the parlor at the same time, and was mounting the
steps, when she heard Mr. Lockhart ask:
"Guy, what are you going to do with that solemn-looking child?"
"Going to try to show her that the world is not altogether made up
of brutes." She heard no more; but, long after she laid her head
upon the pillow, pondered on the kind fate which gave her so
considerate, so generous a guardian; and, in the depths of her
gratitude, she vowed to show him that she reverenced and honored
him.
CHAPTER XIII
Three years passed swiftly, unmarked by any incidents of interest,
and one dreary night in December Beulah sat in Dr. Hartwell's study,
wondering what detained him so much, later than usual. The lamp
stood on the tea-table, and the urn awaited the master's return. The
room, with its books, statues, paintings, and melodeon, was
unaltered, but time had materially changed the appearance of the
orphan. She had grown tall, and the mazarine blue merino dress
fitted the slender form with scrupulous exactness. The luxuriant
black hair was combed straight back from the face, and wound into a
circular knot, which covered the entire back of the head, and gave a
classical outline to the whole. The eyelashes were longer and
darker, the complexion had lost its sickly hue, and, though there
was no bloom on the cheeks, they were clear and white. I have spoken
before of the singular conformation of the massive brow, and now the
style in which she wore her hair fully exposed the outline. The
large gray eyes had lost their look of bitterness, but more than
ever they were grave, earnest, restless, and searching; indexing a
stormy soul. The whole countenance betokened that rare combination
of mental endowments, that habitual train of deep, concentrated
thought, mingled with somewhat dark passion, which characterizes the
eagerly inquiring mind that struggles to lift itself far above
common utilitarian themes. The placid element was as wanting in her
physiognomy as in her character, and even the lines of the mouth
gave evidence of strength and restlessness, rather than peace.
Public-domain text, read in full here on John Shaqi.
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