Beyond These VoicesBraddon, M. E. (Mary Elizabeth)
General
Beyond These Voices
Braddon, M. E. (Mary Elizabeth)
Fiction
An hour of silence, broken now and then by deep breathing, as of
agitation, and sometimes by a stifled sob, and then a flood of words,
speech that was eloquent enough to seem inspired, speech that might
have come from him who wrote "Christmas Eve," and "Easter Day," and
"A Death in the Desert," the speech of a believer in all that is
most divine in the promise of a future life. And after that burst
of impassioned utterance there were other speakers, men and women,
the men strong in faith, strong in the gift of tongues, possessed by
the higher mind that spoke through organs of common clay; the women
semi-hysterical, romantic, eloquent with remembered poetry. But in men
and women alike there was sincerity, an intense belief in that close
contact of disembodied mind, sincerity that carried conviction to an
imaginative neophyte like Vera Provana.
Suddenly from the stillness there came a voice more thrilling than any
Vera had heard in that long _séance_, a voice that was not altogether
unfamiliar, but with a note more intense, more poignant than she knew.
Gleaming through the shadows, she saw eyes that flashed green light,
and a long, thin face of marble pallor, in which she knew the face of
Lady Fanny Ransom.
And now came the most startling speech that had been heard that
afternoon--the passionate advocacy of Free Love--love released from the
dominion of law, the bonds of custom, the fear of the world; love as in
Shelley's wildest dreams, but more transcendental than in the dreams of
poets; the love of spirit for spirit, soul for soul, "pure to pure"--as
Milton imagined the love of angels. All the grossness of earth was
eliminated from that rarefied atmosphere in which Francis Symeon's
disciples had their being. Their first and indispensable qualification
was to have liberated thought and feeling from the dominion of the
senses. While still wearing the husk of the flesh, they were to be
spirits; and not till they had become spirits were they capable of
communion with those radiant beings whose earthly vesture had been
annihilated by death.
To Vera there was an awful beauty in those echoes of great minds; and
her faith was strong in the belief that among this little company of
aspiring mortals there hovered the spirits of the illustrious dead. She
left Mr. Symeon's room with those others, who dispersed in absolute
silence, as good people leave a church, with no recognition of each
other, stealing away as from a service of unusual solemnity. They did
not even look at each other, nor did they take leave of Mr. Symeon, who
stood by one of the shuttered windows, gravely watching as his guests
departed.
It was past seven, and the sun was low, as Vera went to her carriage,
which was waiting for her in Burlington Gardens. She was stepping into
it, when a too familiar voice startled her. She had been too deep in
thought to see Claude Rutherford waiting for her at the gate of the
"Albany."
Public-domain text, read in full here on John Shaqi.
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