Beyond These VoicesBraddon, M. E. (Mary Elizabeth)
General
Beyond These Voices
Braddon, M. E. (Mary Elizabeth)
Fiction
The first idea was the correct one. Vera was lying in that spacious
bed-chamber behind three windows on the second floor, where ivy-leaved
geraniums were falling in showers of pale pink blossom from the
flower-boxes. She was lying on the vast Italian bed, lying like a stone
figure, while Susan Amphlett sat by the bed, and wept and sighed,
with intervals of vague, consoling speech, till, finding that speech
elicited no reply, and indeed seemed unheard, she had at last, in sheer
vacuity of mind, to take refuge in the first book within reach of her
hand.
It was one among many small volumes on a table by the bed--Omar Kháyyam.
"Oh, what a dreary book," thought Susie, who was beginning to feel her
office of consoler something of a burden.
She had hated entering that dreadful house, as she always called it
in her thoughts, since she had heard of the murder; and now to be
sitting there in that deadly silence, in that grey light from shrouded
windows, to be sitting there with the knowledge that only a little
way off, in another darkened room at the back of the dreadful house,
there lay death in its most appalling form, was a kind of martyrdom
for which Susie was unprepared, and which she was not constituted to
suffer calmly or lightly. As she had hated old age, so, with a deeper
hate, she hated death. To hear of it, to be forced to think of it, was
agonising; and to visualise the horror lying so near her, a murdered
man in his bloodstained shroud, made her start up from her easy chair
and begin to roam about the room in restlessness and fear.
She lifted the edge of a blind and peered into the street.
The sight of the people staring up at the house was comforting. They
were alive. There were people standing in the road, looking up with
widened eyes, so absorbed in what they saw, or wanted to see, that they
ran a risk of sudden annihilation from a motor-car, and skipped off to
the opposite pavement, there to content themselves with a more distant
view.
"There never was such a murder," Susie said to herself. "I think every
soul in town must have come to look at this horrid house since eleven
o'clock this morning."
It was now past three, in a dull, sultry afternoon. Susie spent all
the intervening hours in the silent room in the dreadful house. She
was sorry for her friend; but she was still more sorry for herself.
All those hours of silent horror, without any luncheon, and no good
done! What was the use of sitting by the bed where a woman lay dumb and
motionless, unconsoled by affectionate murmurs from a bosom friend,
apparently unconscious that the friend was there.
Lady Susan called in Hanover Square on her way home, and ordered a
black frock, lustreless silk that would stand alone, with a shimmer
of sequins flashing through crêpe: not this week's fashion, nor
last week's, but the fashion of the week after next. The style that
was coming; not the style that had come. This was her one agreeable
half-hour in all that dismal day.
Public-domain text, read in full here on John Shaqi.
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