Beyond These VoicesBraddon, M. E. (Mary Elizabeth)
General
Beyond These Voices
Braddon, M. E. (Mary Elizabeth)
Fiction
state of the safe, and the keys left in the lock, indicate that
everything was done in extreme haste. This was my theory before I came
into your house, Madam; but after nearly five weeks' careful study of
every individual under this roof, I have reluctantly arrived at the
conclusion that nobody in your household is in it, either as principal
or accomplice, before or after the fact. I think it is in an old play
that the remark has been made that 'Murder will out,' also that 'Blood
will have blood.' Both remarks are perfectly correct; but there is
another remark that might have been made with even greater truth, and
that is 'Money will out.' You can't hide money--at least the average
criminal can't. That's where he gives himself away. He can't keep
his plunder to himself--the money burns--it burns--he must spend it.
Some spend it on drink; some, begging your pardon, Madam--spend it on
ladies; some, the weakest of the lot, spend it on clothes and hansom
cabs; but spend they must. There's not one of those four young men
that could keep five or six thou' in his pocket and not give himself
away--somehow or somewhere. Nor yet Mr. Sedgewick, fine gentleman and
philosopher as he is--nor yet even the odd man. Being a poor creature,
he'd have melted those securities with the first low fence he could
hear of, and would have been on the drink night after night, till he
got the horrors and gave himself up to the police. I've been looking
for the money, Madam, and finding no trace of _that_, I know I've not
come within range of the party we want. We must look outside, Madam,
and we may have to look a long way off. If the possessor of those bonds
is an old hand, he is not likely to turn them into money anywhere in
this City; for though they are bonds to bearer, a transaction of that
kind must leave some trace. I feel the humiliation of my failure,
Madam, and I have no doubt you are disappointed."
Vera looked up at him with melancholy eyes, pale, hollow-cheeked, a
sombre figure in the severest mourning that the Maison de Deuil near
the Madeleine could supply, and French mourning knows no compromise.
"Disappointed," she repeated slowly in a low, tired voice, and then, to
Mr. Japp's surprise and almost horror, she said, "I don't think it much
matters whether the wretched creature who killed him is discovered or
not. It can make no difference to _him_ lying at rest, beyond all pain
and sorrow, that his murderer is hidden somewhere out of reach of the
law, and may escape the agony of a shameful death."
The horror in her widening eyes as she said these words showed that
her imagination could realise the horror of the scaffold. "However he
may escape human law," she went on, in the same slow, dull tones, "he
must carry his punishment with him to the grave. He can never know one
peaceful hour. He can never know the comfort of dreamless sleep. He
will be a haunted man."
Public-domain text, read in full here on John Shaqi.
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