Beyond These VoicesBraddon, M. E. (Mary Elizabeth)
General
Beyond These Voices
Braddon, M. E. (Mary Elizabeth)
Fiction
The Villa Provana was on high ground, beyond the Porta del Popolo, and
the view from the gardens commanded the roofs and towers and cupolas of
the city, and the dominating mass of the great basilica, which dwarfs
all other monuments, and reduces papal Rome, with its heterogeneous
roofs and turrets, steeples and obelisks, to a mere foreground for that
one stupendous dome.
Day after day, in those short winter afternoons, Vera stood on the
terrace in front of the villa, leaning languidly against the marble
balustrade, and watching the evening mists rising slowly over the city,
and the grey of the great dome gradually deepening to purple, while
the golden light in the west grew more intense, and orange changed to
crimson.
She was never tired of gazing at that incomparable prospect. How often
in her honeymoon year she had stood there, with Mario Provana at her
side, questioning him with a childish delight, and making him point
out and explain every tower and every cupola, the classic, the papal,
the old and the new; churches, palaces, public buildings, municipal
and royal, picture-galleries, museums, fountains! It was there, as an
idolised young wife, with her husband's strong arm supporting her, as
she leant against him, in the pleasant fatigue after a day of pleasure,
that she had learnt to know Rome, and that she had discovered how
dearly the hard man of business loved the city of his birth. It was
there he had told her what Victor Emanuel and Cavour--the soldier and
the statesman--had done for Italy; and how that which had been but a
geographical expression, a patchwork of petty states--for the most part
under foreign rulers--had become the name of a great nation in the van
of progress.
She thought of him now, evening after evening, in the unbroken silence
and solitude of the long terrace on the crown of the hill, and only a
little lower than the terrace on the Pincio. She looked backward across
the arid desert of her five years of society under Disbrowe influences,
five years of life that seemed worthless and joyless compared with that
year of a happiness she had almost forgotten, till her husband's death
carried all her thoughts back to the past: to the time when she had
given him love for love; to the days that she could think of without
remorse.
"Oh, God, if I had died at the end of that year, what a happy life mine
would have been!"
She thought of the tomb on the Campagna, the splendid monument of a
husband's love, near which she had sat in her carriage with Mario to
watch the gathering of a gay crowd, and the flash of red coats against
the clear blue of a December day, the hounds trotting lightly in front
of huntsman and whip, the women in their short habits, patent-leather
boots flashing against new saddles; men on well-bred hunters; the whole
picture so modern and so trivial against the fortress tomb with its
mystery of a distant past--only a name to suggest the story of two
lives.
"If I had only died then," she thought.
Public-domain text, read in full here on John Shaqi.
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