Beyond These VoicesBraddon, M. E. (Mary Elizabeth)
General
Beyond These Voices
Braddon, M. E. (Mary Elizabeth)
Fiction
It was a little less than three weeks after the meeting in the house of
silence; but to Vera the interval seemed an endless procession of slow,
grey days and fevered nights--nights of intolerable length, in which
she listened to the beating of the blood against her skull, now slow
and rhythmical, now tempestuous and irregular--endless nights in which
sleep seemed the most unlikely thing that could happen, a miracle for
which she had left off hoping. In all that time she had heard no more
of Mrs. Rutherford, though the daily chronicle that kept note of every
stranger in Rome still printed her name among the inmates of the Hotel
Marguerita.
She was angry and unforgiving. Unhappy mother! Unhappy son!
Two pairs of horses had to be exercised daily, but Vera had no orders
for the stables. That monotonous parade in the Pincio, which every
other woman of means in Rome made a part of her daily life, had no
attraction for Signor Provana's widow. The villa gardens, funereal in
their winter foliage of ilex and arbutus, sufficed for relief from
the long hours within four walls. Wrapped in her sable coat, with the
wind blowing upon her uncovered head, she paced the long terraces for
hours on end, or sat like a statue on the marble bench that had been
dug out of the ruins of imperial baths. But though she spent half her
days in the gardens she took no interest in them. She never stopped to
watch the gardeners at work upon the flower-beds, never questioned them
about their preparations for the spring. Thousands of bulbs were being
planted daily, but she never wanted to learn what resurrection of vivid
colour would come from those brown balls which the men were dropping
into the earth. She walked about like a corpse alive! The men almost
shrank from her as she passed them, as if they had seen a ghost.
She could never forget that last meeting with her lover. The last--the
very last. She sat with her arms folded on the marble balustrade, and
her head resting on the folded arms, with her face hidden from the
clear, cold light of a December afternoon.
Her gaze was turned inward; and it was only with that inward gaze that
she saw things distinctly. The outside world was blurred and dim, but
the pictures memory made were vivid.
She saw Claude's agonised look, saw the melancholy eyes gazing at her:
the yearning love, the despairing renunciation.
Mrs. Rutherford had called her cruel, but was not the cruelty far
greater that submitted her to that heart-rending ordeal?
Public-domain text, read in full here on John Shaqi.
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