Beyond These VoicesBraddon, M. E. (Mary Elizabeth)
General
Beyond These Voices
Braddon, M. E. (Mary Elizabeth)
Fiction
"I feel as if all that ever happened after that was blotted out," Vera
whispered, one sunlit afternoon, as they sat side by side among silken
cushions on the motor launch, while all the glory of the upper Thames
moved past them; "all between those summer days and these seems vague
and dim: even the long years with poor Grannie. The wailing about want
of money, the moaning over the things we had to do without, the people
she hated because they were rich; all those years and the years that
came after have gone down into the gulf of forgotten things. A dark
curtain, like a pall, has fallen upon the past; and we are living in
the present. We love each other, and we are together. That is enough,
Claude, is it not? That is enough."
"That is enough," he echoed, smiling up at her from his lower level
among the pillows. That heap of down pillows and his lounging attitude
among them seemed to epitomise the man and his life. "All the same, I
want Sinbad the Second to win the Leger."
"Ah, you always laugh at me," she cried, with a vexed air. "You can
never be serious."
"No, I can't," he answered, with a darkening brow, and a voice that was
as heavy as lead.
They were living upon the rapture of a consummated love: which is
something like a rich man living upon his capital. There comes a time
when he begins to ask himself how long it will last.
They had loved each other for years; first unconsciously, with a
divine innocence, at least on the woman's part, then consciously, and
with a vague sense of sin; and then, all obstacles being removed,
triumphantly; assured of the long future, in which nothing could part
them.
She repeated this often--in impassioned moments. "Nothing can part us.
Whatever Fate may bring we shall be together. There can be no more
parting."
He was not given to serious thoughts. He never had been. His one
irresistible charm had been his careless enjoyment of the present hour,
and indifference to all that might come after. He had never considered
the ultimate result of any action in his life. He left the Army with no
more thought than he left off a soiled glove! He threw up a painter's
art, and all its chances of delight and fame, the moment he found
discouragement and difficulty. He hated difficult things; he hated hard
work; he hated giving up anything he liked. His haunting idea of evil
was the dread of being bored.
Once Vera found herself making an involuntary comparison between the
dead man and the living.
Public-domain text, read in full here on John Shaqi.
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