Beyond These VoicesBraddon, M. E. (Mary Elizabeth)
General
Beyond These Voices
Braddon, M. E. (Mary Elizabeth)
Fiction
Yes, she knew that she was morbid, that she had taken to brooding upon
melancholy memories, that she was cultivating sadness. Alone in the
olive wood, watching the evening light change and fade, and the shadows
steal slowly from the valley and the sea, while memory recalled words
that had been spoken in that narrow pathway, among those grey old
trees in the light and shade of evenings that seemed ages ago, she had
a feeling that was almost happiness. It was a memory of happiness so
vivid that it seemed the thing itself.
She had been very happy in those tranquil evenings. She knew now that
she had begun to love Mario Provana many days before his impassioned
avowal had taken her by storm. His eloquence, his power of thought and
feeling, had made life and the world new. She "saw Othello's visage
in his mind." His rugged features and his eight-and-forty years were
forgotten in the charm of his conversation and the rare music of his
voice. The world of the scholar, of the thinker, and the poet, had
been an unknown world to the girl of eighteen, whose poor little bit
of flimsy education had been limited to the morning hours of a Miss
Greenhow at a guinea a week. He opened the gate of that divine world
and led her in, and they walked there together; he charmed by her
freshness and _naïveté_, she dazzled by his wealth of knowledge and his
power of imagination. Not even her poet father could have had a wider
knowledge of books, or a greater power of thought, she told herself;
which was a concession to friendship, as she had hitherto put her
father in the front rank of those who know.
She looked back at those innocent hours, when he who was so soon to be
her husband was only thought of as her first friend.
She looked back to hours that seemed to her to have been the happiest
in all her life. Yes, the happiest; for happiness is sunshine and calm
weather, not fever and storm. There were other hours more romantic and
more thrilling, but agonising to remember--sensual, devilish. Those
hours in the woods had been serene and pure, and she had walked there
with the heart of a child.
How kind he had been, how kind! It was the kindness in the low, grave
voice that had made its music: only the kindness of a friend of
mature years interested in her youth and ignorance, only a grave and
thoughtful friend, liking her because she had been loved by his dead
daughter. That is what she had thought of him for the greater part of
those quiet hours. Yet now and then she had been startled by a sudden
suggestion. She did not know, but she felt that he was her lover.
* * * * *
Public-domain text, read in full here on John Shaqi.
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