Beyond These VoicesBraddon, M. E. (Mary Elizabeth)
General
Beyond These Voices
Braddon, M. E. (Mary Elizabeth)
Fiction
Vera was able to spend an hour in the yew tree enclosure in the morning
freshness, between six and seven. She had telegraphed her order for a
hundred white roses to the San Marco florist the day before, and the
flowers were ready for her in a light, spacious basket, in the hall of
the hotel, when she came downstairs in the dim sunrise.
"It is the last time," she said to herself, as she covered the great
marble slab with her roses, and stooped to lay cold lips on the cold
stone. "Giulia--Mario," she murmured tenderly, with lingering lips.
"I am not afraid," she said to herself. "I know that he has forgiven
me."
Maid and footman and luggage went by the morning train; and half an
hour after Vera and her friend left San Marco, in a carriage that was
to take them to Ventimiglia. By this means they had the drive in the
morning sunshine, and escaped the long wait at the frontier, only
entering the dismal station five minutes before their train left Italy.
They spent that night in Marseilles, where Susan Amphlett insisted
upon seeing the Cannebière by lamplight; and they were in Paris on the
following evening, and in London the next day.
"And now you are going to begin a splendid season," said Susie, "in
this dear old house. The rooms look mere pigeon-holes after your Roman
villa; but there's no place like London. And I really think Claude is
right. The Villa Provana is much too big, and just a wee bit eerie. It
suggests ghosts, if one does not see them. One of those sweet young
Bersaglieri told me that your husband's father made a man fight a duel
to the death with him in one of those weird upper rooms; and that the
stamping of their feet and the rattle of their rapiers is heard at a
quarter past two on every fifteenth of November. When I heard the story
I felt rather glad I did not come to you till December. Aren't you
pleased to be home, Vera, in these cosy drawing-rooms?"
Everything in life is a question of contrast, and after the Villa
Provana the drawing-room in Portland Place, with its five long windows
and perspective of other drawing-rooms through a curtained archway,
looked as snug as a suburban parlour.
"Aren't you glad to be home?" persisted Susan.
"No, Susie. I would rather have spent the rest of my life in Italy."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account