Beyond These VoicesBraddon, M. E. (Mary Elizabeth)
General
Beyond These Voices
Braddon, M. E. (Mary Elizabeth)
Fiction
Song after song was received with enthusiasm. Herr Mainz played a
brilliant "Mazourka de Salon," while the baritone rested and whispered
with the Princess, and when the silvery chimes of an Italian eight-day
clock announced midnight, the great doors were thrown open and
Pergolesi hurled his splendid voice upon the crowd in the outer room.
A phrase or two, and the babble of three hundred voices had become
silence; and when the song was done the crowd melted away, still in
comparative stillness, while Vera stood on the landing to see them
pass, as if she were holding a review. No one wanted to begin talking
after that stupendous song. People had stayed later than they intended,
till it was too late to go on to other, and perhaps better, houses.
The Princess had gone out by a second staircase, which had been kept
clear for her, with Pergolesi and Okehampton to escort her downstairs,
and Claude Rutherford to put her into her carriage. She went off in a
charming mood, but could not refrain from a stab at the last.
"Your wife's party has been perfect," she said, "but the company just a
little mixed. I suspect you of having introduced the Bohemian element,
in the shape of that handsome lady whom everybody has been talking
about."
There were lingerers after that, and the party was not over till one
o'clock. The last guest strolled into the pale grey night as Big Ben
tolled the first hour of day. Claude followed his wife up the broad
staircase, where the heated atmosphere was heavy with the scent of arum
lilies, and the daturas that hung their white bells in all the corners.
She was moving slowly, tired and languid after the long evening, and
she never looked back. He followed her to the door of her room; but
she stopped upon the threshold, turned and faced him, ashy pale in her
white gown, like a ghost.
"Good-bye," she said, with a face of stone.
"Vera, for God's sake! What's the matter?"
"Good-bye," she repeated, and, as he moved towards her, she drew back
suddenly, so quickly that he was unprepared for the movement, and shut
the door in his face.
He heard the key turning in the lock, shrugged his shoulders, and
walked slowly along the gallery to his own room, not the room that had
been Mario Provana's dressing-room.
"Some ass has been telling her things," he muttered to himself.
And then he thought of Mrs. Bellenden's appearance that night, in a
gown of gold tissue, and a diamond tiara. She had been too insolently
splendid in her overweening beauty, too tremendous, too suggestive of
Cleopatra at Actium, a woman who lived upon the ruin of men.
What wife, who cared for her husband, could help being angry if she saw
him near such a creature?
And he had been near her all the night. He had whispered with her in
corners, hung over her perfumed shoulders, followed her close as her
shadow, sat with her in a nest of tropical flowers in the balcony,
instead of moving about among his guests.
Public-domain text, read in full here on John Shaqi.
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