Beyond These VoicesBraddon, M. E. (Mary Elizabeth)
General
Beyond These Voices
Braddon, M. E. (Mary Elizabeth)
Fiction
Had he gone for ever? Was it indeed the end? Could love that had begun
in ecstasy close in this grey calm? She felt neither sorrow nor anger.
Everything was dead. She stood among the ruins of her life, feeling
as a child might feel when the house she has built of cards shatters
suddenly and falls at her feet. Everything was over. She had no thought
of building another house; no desire to patch up a broken life and
begin again. Perhaps her husband loved her still, and it was the gloom
of this haunted house that had driven him to seek distraction in a
baser love. It was her fault, perhaps, and she ought to be sorry for
him. Poor Claude! She remembered his gaiety. The airy mockery that
had enchanted her, the quick wit that had struck fire and light out
of dull things. She remembered the joyous nature, the light laughter,
the inexhaustible energy which made difficult things--in the way of
sport--seem easy. Yes, they had been happy, utterly happy in the life
of the moment, shutting out every thought that was irksome, every
memory that hurt. And it was all over and dead, and she had nothing
left but the shadows in this room, the dead faces, the words of those
who were not. That scriptural phrase had always moved her. "He was not."
Her afternoons in Mr. Symeon's library had been all she had cared
for in the season that was ending. She had gone wherever her husband
asked her to go, and had given the entertainments he wanted her to
give; but through all that brilliant summer she had gone about like "a
corpse alive." That dreary simile had been in her mind sometimes when
she thought of herself, sitting in her victoria, dressed as only the
well-bred English woman with unlimited money can be dressed, lovely in
her fragile fairness, admired and talked about. She had gone about, and
held her own, in a quiet way, among crowds of clever men and women, and
her life had seemed to her like the end of a long dream. Her only vital
interest had been in the voices she heard in Francis Symeon's shadowy
room. Those voices were of living men and women; but the words were the
words of the dead.
She was not utterly unhappy. The past was past, and she had left off
grieving over it, for now she had a transcendent hope in the near
future--the hope of death. She would soon have passed the river that
they had passed, Giulia and her father. The gate through which they had
gone to a higher stage in the upward path of life would open for her;
and no matter by what slow ascent, no matter with what feeble steps,
she would climb the mountain up which they had gone, those emancipated
spirits.
Public-domain text, read in full here on John Shaqi.
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