Beyond These VoicesBraddon, M. E. (Mary Elizabeth)
General
Beyond These Voices
Braddon, M. E. (Mary Elizabeth)
Fiction
Dr. Tower naturally inquired as to parental history, and was somewhat
disheartened on hearing that the dear lady's father and mother had
died young, the former of galloping consumption, during an open-air
cure; yet even this did not induce him to pronounce sentence of death.
Nor did he allow Mrs. Rutherford to suppose herself a desperate case,
though he insisted on having a trained nurse, and of the best, in
attendance upon his patient, as well as the maid Louison.
The French girl might be all that Mrs. Rutherford could require, he
admitted, when Vera told him she wanted no one else.
"But you must allow me what I want," pleaded Dr. Tower with his most
ingratiating air. "My treatment is of the mildest--nothing heroic or
troublesome about it--but I must be sure that it is followed. I must
have someone about you who is responsible to _me_. My nurse shall not
be allowed to bore you. If she is intrusive or disagreeable to you, you
can telephone to me; and she shall be superseded within the hour."
Vera submitted. Her indifference to most things, even to those that
concerned herself, was one of her symptoms which made Dr. Tower uneasy.
"This woman will never help to cure herself," he thought, as he drove
away, with that far-off look in Vera's face impressed upon his mind.
"She does not want to get well. She is not absolutely unhappy--only
indifferent. Something must have gone wrong in her life. Yet her
husband does not seem a bad sort."
She was not unhappy. She had been allowed to take her own way, and to
live as she wished to live--in the silence and peace of the spacious
house, where the business of entertaining seemed to be at an end for
ever. Whatever had been amiss in the life that was ebbing away seemed
hardly to matter, now that she was drawing near the other life. Her
husband came and went, and spend a good deal of his time in her room,
talking with her, or reading to her, when she was too tired to talk.
There had been nothing said of his offence against her; no utterance
of that other woman's name. They were friends again, and could talk of
the things that they loved--literature, music, art; of Henry Irving's
Hamlet; of Millais and Browning, both of whom she had seen at Aunt
Mildred's house in her childhood, and whose faces she remembered; of
books new and old. They were as friendly and sympathetic as they had
been in Mario Provana's lifetime, before the dawn of love. It was as
if they were still at the same platonic stage. All that had come after
was like a lurid dream from which they had awakened. Tristram was again
the true knight. Iseult was sinless.
Public-domain text, read in full here on John Shaqi.
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