Beyond These VoicesBraddon, M. E. (Mary Elizabeth)
General
Beyond These Voices
Braddon, M. E. (Mary Elizabeth)
Fiction
"And you will never take the liberty I give you for a letter of
license?"
"No, no, no. But I don't ask for liberty. I want to belong to you, to
be sheltered by you."
"You shall have the shelter, if you need it; but be true to yourself,
and you will need no defender. A woman's safest armour is her own
purity. And again, my love," with a return of the slightly ironical
smile, "never was a woman better guarded than you are while you are
fringed round by Disbrowes, protected at every point by your mother's
clan, people at once well born and well bred, with no taint of
Bohemianism, unless indeed it may lurk in your _poco curante_ cousin,
the young painter who made such a lamentable failure of your portrait."
She felt as if every vestige of colour was fading out of her face, and
that even her lips must be deadly white. They were so parched that when
she tried to shape some trivial reply the power of speech seemed gone.
She felt the dry lips moving; but no sound came.
This was the end of her appeal to the husband whose love might have
saved her. Their relations were changed from that hour. He was not
again the lover-husband of their honeymoon years; but he was no longer
cold and reserved, he no longer held her at a distance. He was kind and
sympathetic.
He interested himself in her occupations and amusements, the books she
read and the people she saw. He was with her at the opera, where Claude
Rutherford sometimes came to them and sat through an act or two in the
darkness at the back of the box. He was infinitely kind and tender; but
it was the tenderness of a father, or a benevolent uncle, rather than
of a husband. He held rigidly to that which he had told her. There was
to be no make-believe in their relations.
If she was not happy, she was at peace for some time after her
husband's home-coming--a period in which they were more together than
they had ever been since those first years of their married life. She
tried to be happy, tried to forget the time in which Claude Rutherford
had been her daily companion, the time when she planned no pleasure
that he was not to share, and had no opinions about people or places,
or books or art, that she did not take from him: loving the things he
loved, hating the things he hated; as if they had been two bodies moved
by one mind. She tried not to feel an aching void for want of him; she
tried not to think him cruel for coming to her house so seldom, and
tried to be sorry that they met so often in the houses of her friends.
The time came when the awakened conscience was lulled to sleep, and
when her husband's society began to jar upon her strained nerves. She
had invoked him as a defence against the enemy; and now she longed for
the enemy, and had ceased to be grateful to the defender.
Public-domain text, read in full here on John Shaqi.
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