We will first take the passages where the word is used metaphorically, or as a poetical image. That it was exceedingly swift of foot is evident from several instances in which the animal is mentioned. For example, in 2 Sam. ii. 18, we are told that Asahel, the brother of Joab, was "as light of foot as a wild roe," or, as the passage may also be translated, "one of the roes that is in the field." And in 1 Chron. xii. 8, we find the following description of eleven warriors who attached themselves to David:--"Of the Gadites there separated themselves unto David into the hold to the wilderness men of might, and men of war fit for the battle, that could handle shield and buckler, whose faces were like the faces of lions, and were as swift as the roes upon the mountains." That it was a beast of chase is as plainly to be gathered from the sacred writings. See, for example, Prov. vi. 4, 5: "Give not sleep to thine eyes, nor slumber to thine eyelids. Deliver thyself as a roe from the hand of the hunter, and as a bird from the hand of the fowler." The same imagery is employed by the prophet Isaiah, xiii. 13, 14:-- "Therefore I will shake the heavens, and the earth shall remove out of her place, in the wrath of the Lord of hosts, and in the day of His fierce anger. And it shall be as the chased roe, and as a sheep that no man taketh up: they shall every man turn to his own people, and flee every one into his own land." Having now learned that the Tsebi was very fleet of foot and a beast of chase, we come to another series of passages, which show that it was an animal of acknowledged beauty. In that most remarkable poem, the Song of Solomon, or the "Song of Songs," as it is more rightly named, there are repeated allusions to the Tsebi. In some cases the name of the Roe is used as a sort of adjuration--"I charge thee by the roes;" and in others the lover, whether man or woman, is compared to the Roe. There is one consecutive series of passages in which the word is repeatedly used. See Cant. ii. 7-9: "I charge you, O ye daughters of Jerusalem, by the roes, and by the hinds of the field, that ye stir not up, nor awake my love, till he please. The voice of my beloved! behold, he cometh leaping upon the mountains, skipping upon the hills. My beloved is like a roe or a young hart." And in the last verse of the poem the same image is repeated--"Make haste, my beloved, and be thou like to a roe or to a young hart upon the mountains of spices." Allusion is made to the beauty of the Roe, or Gazelle, in a well-known name, Tabitha, which is, in fact, a slight corruption of the Hebrew Tsebiyah, and is translated into Greek as Dorcas, or Gazelle. "Now there was at Joppa a certain disciple named Tabitha, which by interpretation is called Dorcas (_i.e._ the Gazelle). This woman was full of good works and alms deeds which she did."