Bible Myths and their Parallels in other Religions: Being a Comparison of the Old and New Testament Myths and Miracles with those of the Heathen Nations of Antiquity Considering also their Origin and MeaningDoane, T. W. (Thomas William)
Religion
Bible Myths and their Parallels in other Religions: Being a Comparison of the Old and New Testament Myths and Miracles with those of the Heathen Nations of Antiquity Considering also their Origin and Meaning
The Egyptian Saviour _Horus_ was called the "Shepherd of the
People."[203:4]
The Hindoo Saviour _Crishna_ was called the "Royal Good
Shepherd."[203:5]
We have seen, then, on the authority of a Christian writer who has made
the subject a special study, that, "there seems no just grounds at
present for assigning an earlier date," for the "earliest instances of
the crucifixion" of Christ Jesus, represented in art, than the _eighth_
or _ninth_ century. Now, a few words in regard to _what these crucifixes
looked like_. If the reader imagines that the crucifixes which are
familiar to us at the present day are similar to those early ones, we
would inform him that such is not the case. The earliest artists of the
crucifixion represent the Christian Saviour as _young and beardless_,
always without the crown of thorns, alive, and erect, apparently elate;
no signs of bodily suffering are there.[203:6]
On page 151, plate 181, of Jameson's "History of Our Lord in Art" (vol.
ii.), he is represented standing on a foot-rest on the cross, alive, and
eyes open. Again, on page 330, plate 253, he is represented standing
"with body upright and arms extended straight, with _no nails_, _no
wounds_, _no crown of thorns_--frequently clothed, and with a regal
crown--a God, young and beautiful, hanging, as it were, without
compulsion or pain."
On page 167, plate 188, are to be seen "the thieves _bound_ to their
_cross (which is simply an upright beam, without cross-bars)_, with the
figure of the Lord _standing_ between them." He is not bound nor nailed
to a cross; no cross is there. He is simply standing erect in the form
of a cross. This is a representation of what is styled, "_Early
crucifixion with thieves_." On page 173, plate 190, we have a
representation of the crucifixion, in which Jesus and the thieves are
represented crucified on the Egyptian _tau_ (see Fig. No. 12). The
thieves are _tied_, but the man-god is _nailed_ to the cross. A similar
representation may be seen on page 189, plate 198.
On page 155, plate 183, there is a representation of what is called
"Virgin and St. John at foot of _cross_," but this _cross_ is simply _an
upright beam_ (as Fig. No. 13). There are no cross-bars attached. On
page 167, plate 188, the thieves are _tied_ to an upright beam (as Fig.
13), and Jesus stands between them, _with arms extended in the form of a
cross_, as the Hindoo Crishna is to be seen in Fig. No. 8. On page 157,
plate 185, Jesus is represented crucified on the Egyptian cross (as No.
12).
Some ancient crucifixes represent the Christian Saviour crucified on a
cross similar in form to the Roman figure which stands for the number
_ten_ (see Fig. No. 14). Thus we see that there was no uniformity in
representing the "cross of Christ," among the early Christians; even the
cross which Constantine put on his "Labarum," or sacred banner, was
nothing more than the monogram of the Pagan god Osiris (Fig. No.
15),[204:1] as we shall see in a subsequent chapter.
Public-domain text, read in full here on John Shaqi.
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