Bibliographic Notes on One Hundred Books Famous in English LiteratureKent, Henry Watson
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Bibliographic Notes on One Hundred Books Famous in English Literature
Kent, Henry Watson
Best books; English literature -- First editions -- Bibliography; English literature -- History and criticism
Cowper gave the copyright to Johnson, who afterward, when the
work proved so successful, would have allowed him to take back
his gift, but Cowper refused.
This Johnson was also the publisher of Horne Tooke, Fuseli,
Bonnycastle, Mary Wollstonecraft, and Miss Edgeworth. He, as
well as his successor, Rowland Hunter, was a dissenter, and
the building which he occupied, we are told, was "plain and
unadorned, befitting the head-quarters of the bookselling of
Protestant Dissent." Charles Knight, in _Shadows of the
Old Booksellers_, has a paragraph, which must be quoted in
connection with the appearance of Johnson's books.
"With wire-wove hot-pres'd paper's glossy glare,
Blind all the wise, and make the stupid stare."
The publisher of Cowper was an exception to his brother
publishers of that day, who are addressed in these lines.
Aikin says of him, "It is proper to mention that his true
regard for the interests of literature rendered him an enemy
to that typographical luxury which, joined to the necessary
increase of expense in printing, has so much enhanced the
price of new books as to be a material obstacle to the
indulgence of a laudable and reasonable curiosity to the
reading public."
It is quite certain that in making the _Task_ he did not sin
against these principles of philanthropy, even if he sinned
against many of the rules of good book-making.
Octavo.
COLLATION: _4 ll., 359 pp._
ROBERT BURNS
(1759-1796)
61. Poems, | Chiefly In The | Scottish Dialect, | By | Robert Burns. |
[Quotation] Kilmarnock: | Printed By John Wilson. | M,DCC,LXXXVI.
One of Burns's warmest friends, Gavin Hamilton, advised him to
publish his poems in order to get enough money to emigrate
to Jamaica, where it was hoped he would escape from the
complications incident upon his love affair with Jean Armour.
In the preface Burns tells us that none of the poems was
written with a view to publication, but as a counterpoise to
the troubles of the world.
Public-domain text, read in full here on John Shaqi.
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