Bibliographic Notes on One Hundred Books Famous in English LiteratureKent, Henry Watson
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Bibliographic Notes on One Hundred Books Famous in English Literature
Kent, Henry Watson
Best books; English literature -- First editions -- Bibliography; English literature -- History and criticism
The following extracts give us an insight into our author's
feelings about the appearance and make-up of his book.
Speaking of its form, he says: "He [Murray] wants to have
it in a quarto, which is a cursed unsaleable size; but it is
pestilent long, and one must obey one's publisher." And to
Murray himself he writes in answer to a very natural question:
"... The printer may place the notes in his _own way_, or any
_way_, so that they are not in _my way_. I care nothing about
types or margins."
The use of the poet's name on the title-page caused some
discussion, as we see from a letter to Dallas already quoted:
"I don't think my name will answer the purpose, and you must
be aware that my plaguey Satire will bring the north and south
Grub Street down upon the _Pilgrimage_;--but, nevertheless, if
Murray makes a point of it, and you coincide with him, I
will do it daringly; so let it be entitled 'By the author of
_English Bards and Scotch Reviewers_...." There was another
reason why he did not want his name to appear: "Has Murray
shown the work to any one? He may--but I will have no traps
for applause ... I much wish to avoid identifying _Childe
Harold's_ character with mine, and that, in sooth, is my
second objection to my name appearing in the title-page."
Later, however, as we see, he gave way on this point.
We are indebted to Smiles, in his memoirs of John Murray, for
a vivid picture of Byron as a book-maker.
"He afterwards looked in [at 32, Fleet Street] from time
to time, while the sheets [of _Childe Harold_] were passing
through the press, fresh from the fencing rooms of Angelo and
Jackson. He used to amuse himself by renewing his practice of
_Carte et Tierce_, with his walking-cane directed against the
book-shelves, while Murray was reading passages from the poem
with occasional ejaculations of admiration, on which Byron
would say, 'You think that a good idea, do you, Murray?'
Then he would fence and lunge with his walking stick at some
special book which he had picked out on the shelves before
him. As Murray afterwards said, 'I was often very glad to get
rid of him!'"
Public-domain text, read in full here on John Shaqi.
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