Bibliographic Notes on One Hundred Books Famous in English LiteratureKent, Henry Watson
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Bibliographic Notes on One Hundred Books Famous in English Literature
Kent, Henry Watson
Best books; English literature -- First editions -- Bibliography; English literature -- History and criticism
This part was not issued, as far as is known, except with the
Hesperides to which the author evidently intended it to be
affixed, if we may judge by the lines toward the end of the
first part: "Part of the work remains; one part is past."
The year of publication had seen Herrick dispossessed of his
living at Dean Prior by the predominant Puritan party, and
it has been suggested that he was glad to take this means
of gaining an income. His use of the form, "Robert Herrick,
Esquire," was, it is thought, a wise move on the part of
the publishers, since a book by the "Reverend," or "Robert
Herrick, Vicker" would have been less likely to meet with
favor.
Neither Williams nor Eglesfield was a bookseller of
importance, and the printer is entirely unknown. He may
have withheld his name for fear of the judgment suggested by
Herrick at the head of his column of Errata:
"For theſe Tranſgreſsions which thou here doſt ſee,
Condemne the Printer, Reader, and not me;
Who gave him forth good Grain, though he miſtook
The Seed; ſo ſow'd theſe Tares throughout my Book."
Copies vary in the imprint, some reading _London, Printed for
John Williams and Francis Eglesfield, and are to be ſold
by Tho. Hunt, Bookſeller in Exon, 1648_; and several
differences of spelling, capitalization and punctuation also
occur. These variations have given rise to a discussion that
aims to determine the sequence of issues; but thus far it
serves only to prove that constant editorial tinkering took
place at the press-side.
William Marshall, whose prolific graver (Strutt says he
used only that tool) produced portraits, frontispieces,
title-pages, and other decorations of a certain charm, even
if dry and cramped in style, had in Herrick a subject of more
than usual difficulty. As if conscious of his shortcomings
he attempts to make atonement by the emblematic flattery
of Pegasus winging his flight from Parnassus, the Spring of
Helicon, loves and flowers, which he adds to lines signed _I.
H. C._ and _W. M._
Octavo.
COLLATION: _Four leaves (without signatures): B-Z and Aa-Cc, in
eights, Aa-Ee, in eights._
JEREMY TAYLOR
(1613-1667)
30. The Rule | And | Exercises | Of | Holy Living. | [Eleven lines]
London, | Printed for Francis Aſh, Book- | Seller in Worceſter. |
MDCL. [Colophon] London, | Printed by R. Norton. | MDCL.
Public-domain text, read in full here on John Shaqi.
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