Bibliographic Notes on One Hundred Books Famous in English LiteratureKent, Henry Watson
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Bibliographic Notes on One Hundred Books Famous in English Literature
Kent, Henry Watson
Best books; English literature -- First editions -- Bibliography; English literature -- History and criticism
Concerning the engraved cartouche with the first part of the
title, on the title-page, and the six illustrations of fish
engraved in the text, the author says "To the Reader of this
Discourse": "And let me adde this, that he that likes not the
diſcourſe ſhould like the pictures of the _Trout_ and
other fiſh, which I may commend, becauſe they concern not
myſelf." No name is given to show whose work they may be;
they are sometimes ascribed to Pierre Lombart, a Frenchman
resident in London, and employed by book-publishers to
illustrate their books. But on the other hand we must
not forget that Vaughan and Faithorne were both making
illustrations for books at this time. There is reason for
calling attention to the belief, formerly current, that the
engravings were done on plates of silver, a notion which, as
Thomas Westwood remarks, is sufficiently disproved by their
repeated use in no less than five editions of _The Compleat
Angler_, and the same number of Venable's _Experienc'd
Angler_.
Henry Lawes, the musician, and the author of several works,
wrote the music to "The Anglers' Song For two Voyces,
Treble and Baſſe," which occupies pages 216 and 217.
The right-hand page is printed upside down for the greater
convenience of the singers, who could thus stand facing one
another. Lawes used a similar arrangement in his _Select Ayres
and Dialogues_, published the same year as the _Angler_.
Octavo.
COLLATION: _A-R3, in eights._
SAMUEL BUTLER
(1612-1680)
32. Hudibras. | The First Part, | Written in the time of the late
Wars. | [Device] London, | Printed by J. G. for Richard Marriot, under
Saint | Dunstan's Church in Fleetſtreet. 1663.
Although "written in the time of the late Wars," _Hudibras_
was not licensed to be printed until November 11, 1662, two
years after the reëstablishment of the monarchy, when a satire
on Puritanism could no longer give offense to the ruling
party. On the contrary, the satisfaction which it gave to
the King and court had much to do with the great success it
achieved. Butler himself records the royal favor:
"He never ate, nor drank, nor slept,
But 'Hudibras' still near him kept;
Nor would he go to church or so,
But 'Hudibras' must with him go."
Public-domain text, read in full here on John Shaqi.
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