Bibliographic Notes on One Hundred Books Famous in English LiteratureKent, Henry Watson
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Bibliographic Notes on One Hundred Books Famous in English Literature
Kent, Henry Watson
Best books; English literature -- First editions -- Bibliography; English literature -- History and criticism
Dodsley's promptness was noteworthy; on February 16 the book
was issued, having been six days, at most, in the printer's
hands. The author, even if he had desired, could hardly have
complained about the ornaments on the title-page, since he had
given Dodsley a free hand. It would be pleasant to see in
the woodcuts, with their death's-heads, spades, cross-bones,
hour-glasses, pickaxes and crowns, an argument for a sense
of decoration, or even of a sense of humour, rather than the
evidences of a habit of the use of such things for funeral
sermons.
Speaking of Nurse Dodsley's "pinches," the following extract
from a letter to Walpole, dated March 3, 1751, proves of
additional interest: "I do not expect any more editions; as
I have appeared in more magazines than one. The chief errata
were _sacred_ bower for _secret_; _hidden_ for _kindred_ (in
spite of dukes and classics); and "_frowning_ as in scorn" for
_smiling_. I humbly propose, for the benefit of Mr. Dodsley
and his matrons, that take _awake_ for a verb, that they
should read _asleep_, and all will be right."
The two versions of the poem probably appeared on the same
day.
_The Magazine of Magazines Compiled from Original Pieces,
With Extracts from the moſt celebrated Books And Periodical
Compoſitions Publiſhed in Europe_, was issued by William
Owen, maker of mineral water, at Homer's Head, near Temple
Bar. Owen's compositor, having had more time, avoided some
of the errors of the printers of the book, but he fell into
others of his own; and he completely frustrated Gray's desire
to be anonymous. The poem is introduced, amidst a running fire
of talk, in this way: "Gentlemen, ſaid _Hilario_, give
me leave to ſooth my own melancholy, and amuſe you in a
moſt noble manner, with a fine copy of verſes by the
very ingenious Mr. Gray, of _Peterhouſe_, Cambridge.--They
are--"Stanza's written in a Country Church-yard.""
The book proved immensely popular. Gray himself received
no pecuniary reward from it, having given the copyright
to Dodsley in accordance with a notion, very common in the
preceding century but seeming quixotic now, that it was
beneath a gentleman to receive money from a bookseller, a view
in which, we are told, Dodsley warmly concurred. Later, Mason,
Gray's friend, attempted to regain possession of the copyright
by means of litigation.
Public-domain text, read in full here on John Shaqi.
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