of such and such qualities," said Lamoignon.--"I will bring one exactly to suit you," replied Hermant--"but you must put up with a diseased and repulsive exterior."--"Nous avons besoin de fond," said the sensible patron, "la forme ne m'embarasse point; l'air de ce pays, et un grain de sel discret, fera le reste: il en trouvera ici." Baillet came, and his biographer tells us that Lamoignon and Hermant "furent ravis de le voir." To the eternal honour of the family in which he resided, the crazy body and nervous mind of Baillet met with the tenderest treatment. Madame Lamoignon and her son (the latter, a thorough bred bibliomaniac; who, under the auspices of his master, soon eclipsed the book celebrity of his father) always took a pleasure in anticipating his wishes, soothing his irritabilities, promoting his views, and speaking loudly and constantly of the virtues of his head and heart. The last moments of Baillet were marked with true Christian piety and fortitude; and his last breath breathed a blessing upon his benefactors. He died A.D. 1706, aetatis 56. Rest his ashes in peace!--and come we now to his bibliographical publications. His "_Jugemens des Savans_," was first published in 1685, &c., in nine duodecimo volumes. Two other similar volumes of _Anti Baillet_ succeeded it. The success and profits of this work were very considerable. In the year 1722, a new edition of it in seven volumes, quarto, was undertaken and completed by De La Monnoye, with notes by the editor, and additions of the original author. The "Anti Baillet" formed the 8th volume. In the year 1725, De La Monnoye's edition, with his notes placed under the text--the corrections and additions incorporated--and two volumes of fresh matter, including the Anti Baillet--was republished at Amsterdam, in eight duodecimo volumes, forming 16 parts, and being, in every respect, the best edition of the _Jugemens des Savans_. The curious, however, should obtain the portrait of Baillet prefixed to the edition of 1722; as the copy of it in the latter edition is a most wretched performance. These particulars, perhaps a little too long and tedious, are gleaned from the "Abrege" de la Vie de Baillet, printed in the two last editions of the work just described.]