He grew dissatisfied and melancholy. He scrambled through his terms; took his degree; celebrated his anniversary of twenty-one, by drenching his native village in ale which had been brewed at his birth; added two wings to his father's house; launched out into coin and picture collecting; bought fine books with fine bindings; then sold all his coins and pictures; and, at the age of twenty-five, began to read, and think, and act for himself. At this crisis, he became acquainted with the circle which has already been introduced to the reader's attention; and to which circle the same reader may think it high time now to return. Upon breaking up for THE DRAWING ROOM, it was amusing to behold the vivacity of Lisardo; who, leaping about Lysander, and expressing his high gratification at the discourse he had already heard, and his pleasure at what he hoped yet to hear, reminded us of what Boswell has said of Garrick, who used to flutter about Dr. Johnson, and try to soften his severity by a thousand winning gestures. The doors were opened; and we walked into Lorenzo's Drawing Room. The reader is not to figure to himself a hundred fantastical and fugitive pieces of furniture, purchased at Mr. Oakley's, and set off with curtains, carpet, and looking-glasses--at a price which would have maintained a country town of seven hundred poor with bread and soup during the hardest winter--the reader will not suppose that a man of Lorenzo's taste, who called books his best wealth, would devote two thousand pounds to such idle trappings; which in the course of three years, at farthest, would lose their comfort by losing their fashion. But he will suppose that elegance and propriety were equally consulted by our host. Accordingly, a satin-wood book-case of 14 feet in width and 11 in height, ornamented at the top with a few chaste Etruscan vases--a light blue carpet, upon which were depicted bunches of grey roses, shadowed in brown--fawn-coloured curtains, relieved with yellow silk and black velvet borders--alabaster lamps shedding their soft light upon small marble busts--and sofas and chairs corresponding with the curtains--(and upon which a visitor might sit without torturing the nerves of the owner of them) these, along with some genuine pictures of Wouvermans, Berghem, and Rysdael, and a few other (subordinate) ornaments, formed the furniture of Lorenzo's Drawing Room. As it was _en suite_ with the library, which was fitted up in a grave style or character, the contrast was sufficiently pleasing.