(vol. vi., 25), he makes a bitter complaint "de Comite quodam." For the particulars, see the last mentioned authority, p. 363, 4. In the year 1519, Godenus, to whom Erasmus had bequeathed a silver bowl, put forth a facetious catalogue of his works, in hexameter and pentameter verses; which was printed at Louvain by Martin, without date, in 4to.; and was soon succeeded by two more ample and methodical ones by the same person in 1537, 4to.; printed by Froben and Episcopius. See Marchand's _Dict. Bibliogr. et Histor._, vol. i., p. 98, 99. The bibliomaniac may not object to be informed that Froben, shortly after the death of his revered Erasmus, put forth this first edition of the entire works of the latter, in nine folio volumes; and that accurate and magnificent as is Le Clerc's edition of the same (may I venture to hint at the rarity of LARGE PAPER copies of it?), "it takes no notice of the _Index Expurgatorius_ of the early edition of Froben, which has shown a noble art of curtailing this, as well as other authors." See _Knight's Life of Erasmus_, p. 353. The mention of Froben and Erasmus, thus going down to immortality together, induces me to inform the curious reader that my friend Mr. Edwards is possessed of a chaste and elegant painting, by Fuseli, of this distinguished author and printer--the portraits being executed after the most authentic representations. Erasmus is in the act of calmly correcting the press, while Froben is urging with vehemence some emendations which he conceives to be of consequence, but to which his master seems to pay no attention! And now having presented the reader (p. 221, ante) with the _supposed_ study of Colet, nothing remains but to urge him to enter in imagination, with myself, into the _real_ study of Erasmus; of which we are presented with the exterior in the following view--taken from Dr. Knight's _Life of Erasmus_; p. 124. [Illustration] I shall conclude this ERASMIANA (if the reader will premit [Transcriber's Note: permit] me so to entitle it) with a wood-cut exhibition of a different kind: it being perhaps the earliest portrait of Erasmus published in this country. It is taken from a work entitled, "_The Maner and Forme of Confesion_," printed by Byddell [Transcriber's Note: Byddel], in 8vo., without date; and is placed immediately under an address from Erasmus, to Moline, Bishop of Condome; dated 1524; in which the former complains bitterly of "the pain and grief of the reins of his back." The print is taken from a tracing of the original, made by me, from a neat copy of Byddel's edition, in the collection of Roger Wilbraham, Esq. I am free to confess that it falls a hundred degrees short of Albert Durer's fine print of him, executed A.D. 1526.