Bill Nye and Boomerang: Or, The Tale of a Meek-Eyed Mule, and Some Other Literary GemsNye, Bill
General
Bill Nye and Boomerang: Or, The Tale of a Meek-Eyed Mule, and Some Other Literary Gems
Nye, Bill
American wit and humor
Who clamoreth with a loud voice and saith, verily, am not I a bad man?
Who is he that walketh unsteadily and singeth unto himself, "The bright
angels are waiting for me?" Who wotteth not even a fractional wot, but
setteth his chronometer with the wooden watch of the watchmaker, and by
means of a tooth-brush?
Go to. Is it not he who bangeth his intellect ferninst the bock beer,
even unto the eleventh hour?
BILLIOUS NYE AND THE AMATEUR STAGE.
|A great portion of my time at present is taken up in preparations for
my appearance in a few weeks on the amateur stage.
Excursion trains will run from Denver on this occasion, and no pains
will be spared to make the grand spectacular hoo-doo one long to be
remembered.
Whenever any society or association desires to make a few thousand
dollars for the relief of knock-kneed Piutes, or to purchase liver-pads
for impecunious Senegambians, it only has to advertise that I am to
appear on the amateur stage in a heavy part.
I am not a brilliant success in the "Say-wilt-be-mine" part. Just as I
get the heroine up close to me near the footlights, and begin to hug her
a little as I would at home, and I temporarily forget that a thousand
eyes are upon me, it comes over me that my wife is in the audience and
does not seem to enjoy the play. This throws a large four-dollar gloom
over the entire surroundings, and I seem to lose my grip, so to speak.
Many years ago when I was young and, as one might say, in the hey-day
of vigorous manhood, and had an appetite like a P. K. Dederick Perpetual
Hay Press, I consented to take a leading part, and although I could
generally worry through a little light comedy, I had not then learned
how rough and uncouth I appeared as the heavy lover. I therefore
consented to hug a beautiful young thing before five hundred people, and
in the full glare of the footlights, whom I would not have dared to wink
at in her father's parlor at midnight, with the lamp turned clear down.
I have an easy, gliding stage gait that is something between a "pace"
and a "rack." It is full of the very poetry of motion.
I "racked" up to the heroine at the proper time and told her how I loved
her and how it was tearing me all to pieces, and so forth. Just as I was
coming to the grand flourish, however, I forgot a word, and while I was
thinking that up, the remainder of the speech slowly drifted away to
where I couldn't get at it.
To add to the general hilarity of the occasion the stage manager, who
was furnishing at that moment some pale blue lightning and distant
thunder, and who happened to be drunk, threw in a heavy snow storm that
should have gone into another piece.
I stood there waiting and trying to think of my part about thirty years,
I should think. Any way, the snow got knee deep and the heroine excused
herself and went away to warm her feet. She told me to call her up by
telephone when I could think of my piece.
Public-domain text, read in full here on John Shaqi.
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