Behold me, then, turning the rusty old key, and going up, alone, into the haunted garret. It embraced the entire area of the mansion. Its ceiling was formed by the roof, showing the rafters and boards on which the slates were laid. The roof shedding the water four ways from a high point in the centre, the space beneath was much like that of a general’s marquee--only midway broken by a labyrinth of timbers, for braces, from which waved innumerable cobwebs, that, of a summer’s noon, shone like Bagdad tissues and gauzes. On every hand, some strange insect was seen, flying, or running, or creeping, on rafter and floor. Under the apex of the roof was a rude, narrow, decrepit step-ladder, something like a Gothic pulpit-stairway, leading to a pulpit-like platform, from which a still narrower ladder--a sort of Jacob’s ladder--led somewhat higher to the lofty scuttle. The slide of this scuttle was about two feet square, all in one piece, furnishing a massive frame for a single small pane of glass, inserted into it like a bull’s-eye. The light of the garret came from this sole source, filtrated through a dense curtain of cobwebs. Indeed, the whole stairs, and platform, and ladder, were festooned, and carpeted, and canopied with cobwebs; which, in funereal accumulations, hung, too, from the groined, murky ceiling, like the Carolina moss in the cypress forest. In these cobwebs swung, as in aerial catacombs, myriads of all tribes of mummied insects. Climbing the stairs to the platform, and pausing there, to recover my breath, a curious scene was presented. The sun was about half-way up. Piercing the little skylight, it slopingly bored a rainbowed tunnel clear across the darkness of the garret. Here, millions of butterfly moles were swarming. Against the skylight itself, with a cymbal-like buzzing, thousands of insects clustered in a golden mob.