The drum-beat dissolved the multitude, distributing most of them along the batteries of the two covered gun-decks. There, as wont, the gun crews stood by their respective cannon erect and silent. In due course the first officer, sword under arm and standing in his place on the quarter-deck, formally received the successive reports of the sworded lieutenants commanding the sections of batteries below; the last of which reports being made, the summed report he delivered with the customary salute to the commander. All this occupied time, which in the present case was the object of beating to quarters at an hour prior to the customary one. That such variance from usage was authorised by an officer like Captain Vere, a martinet as some deemed him, was evidence of the necessity for unusual action implied in what he deemed to be temporarily the mood of his men. ‘With mankind,’ he would say, ‘forms, measured forms, are everything; and that is the import couched in the story of Orpheus with his lyre spell-binding the wild denizens of the woods.’ And this he once applied to the disruption of forms going on across the Channel and the consequences thereof. At this unwonted muster at quarters all proceeded as at the regular hour. The band on the quarter-deck played a sacred air. After which the chaplain went through the customary morning service. That done, the drum beat the retreat, and toned by music and religious rites subserving the discipline and purpose of war, the men in their wonted orderly manner dispersed to the places allotted them when not at the guns. And now it was full day. The fleece of low-hanging vapour had vanished, licked up by the sun that late had so glorified it. And the circumambient air in the clearness of its serenity was like smooth white marble in the polished block not yet removed from the marble-dealer’s yard. ------------------------------------------------------------------------ XXIV The symmetry of form attainable in pure fiction cannot so readily be achieved in a narration essentially having less to do with fable than with fact. Truth uncompromisingly told will always have its ragged edges; hence the conclusion of such a narration is apt to be less finished than an architectural finial. How it fared with the Handsome Sailor during the year of the Great Mutiny has been faithfully given. But though properly the story ends with his life, something in way of sequel will not be amiss. Three brief chapters will suffice.