Biographia Epistolaris, Volume 2: being The Biographical Supplement of Coleridge's Biographia LiterariaColeridge, Samuel Taylor
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Biographia Epistolaris, Volume 2: being The Biographical Supplement of Coleridge's Biographia Literaria
Coleridge, Samuel Taylor
Coleridge, Samuel Taylor, 1772-1834 -- Correspondence
age, and capable of acting _immediately_ and widely on that age, must of
necessity _reflect_ the age in the first instance, though as far as he
is a man of genius, he will doubtless be himself reflected by it
reciprocally. Now I selected Scott for the very reason, that I do hold
him for a man of _very extraordinary_ powers; and when I say that I
have read the far greater part of his novels twice, and several three
times over, with undiminished pleasure and interest; and that, in my
reprobation of the _Bride of Lammermoor_ (with the exception, however,
of the almost Shakspearian old witch-wives at the funeral) and of the
_Ivanhoe_, I mean to imply the grounds of my admiration of the others,
and the permanent nature of the interest which they excite. In a word, I
am far from thinking that _Old Mortality_ or _Guy Mannering_ would have
been less admired in the age of Sterne, Fielding, and Richardson, than
they are in the present times; but only that Sterne, etc., would not
have had the same _immediate_ popularity in the present day as in their
own less stimulated and, therefore, less languid reading world.
Of Sir Walter Scott's poems I cannot speak so highly, still less of the
Poetry in his _Poems_; though even in these the power of presenting the
most numerous figures, and figures with the most complex movements, and
under rapid succession, in _true picturesque unity_, attests true and
peculiar genius. You cannot imagine with how much pain I used, many
years ago, to hear ----'s contemptuous assertions respecting Scott; and
if I mistake not, I have yet the fragments of the rough draft of a
letter written by me so long ago as my first lectures at the London
Philosophical Society, Fetter Lane, and on the backs of the unused
admission tickets.
Public-domain text, read in full here on John Shaqi.
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