But, as you have before been told,
This Stripling, sportive, gay, and bold,
And, with his dancing crest,
So beautiful, through savage lands
Had roamed about with vagrant bands
Of Indians in the West.
The wind, the tempest roaring high,
The tumult of a tropic sky,
Might well be dangerous food
For him, a Youth to whom was given
So much of earth--so much of heaven,
And such impetuous blood.
Whatever in those climes he found
Irregular in sight or sound
Did to his mind impart
A kindred impulse, seemed allied
To his own powers, and justified
The workings of his heart.
Nor less, to feed voluptuous thought,
The beauteous forms of nature wrought,
Fair trees and lovely flowers;
The breezes their own languor lent;
The stars had feelings, which they sent
Into those magic bowers.
Yet in his worst pursuits, I ween,
That sometimes there did intervene
Pure hopes of high intent
For passions linked to forms so fair
And stately, needs must have their share
Of noble sentiment.”
But from Mr. Wordsworth’s more elevated compositions, which already form
three-fourths of his works; and will, I trust, constitute hereafter a
still larger proportion;--from these, whether in rhyme or blank verse,
it would be difficult and almost superfluous to select instances of a
diction peculiarly his own, of a style which cannot be imitated without
its being at once recognised, as originating in Mr. Wordsworth. It would
not be easy to open on any one of his loftier strains, that does not
contain examples of this; and more in proportion as the lines are more
excellent, and most like the author. For those, who may happen to have
been less familiar with his writings, I will give three specimens
taken with little choice. The first from the lines on the BOY OF
WINANDER-MERE,--who
“Blew mimic hootings to the silent owls,
That they might answer him.--And they would shout
Across the watery vale, and shout again,
With long halloos, and screams, and echoes loud
Redoubled and redoubled; concourse wild
Of mirth and jocund din! And when it chanced,
That pauses of deep silence mocked his skill,
Then sometimes in that silence, while he hung
Listening, a gentle shock of mild surprise
Has carried far into his heart the voice
Of mountain-torrents; or the visible scene [73]
Would enter unawares into his mind
With all its solemn imagery, its rocks,
Its woods, and that uncertain heaven, received
Into the bosom of the steady lake.”
The second shall be that noble imitation of Drayton [74] (if it was not
rather a coincidence) in the lines TO JOANNA.
Public-domain text, read in full here on John Shaqi.
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