Now these two lines consist in a senseless plagiarism from the
counterfeited madness of Edgar in Lear, who, in imitation of the
gypsy incantations, puns on the old word mair, a hag; and the no less
senseless adoption of Dryden’s forest fiend, and the wisard stream by
which Milton, in his Lycidas, so finely characterizes the spreading
Deva, fabulosus amnis. Observe too these images stand unique in the
speeches of Imogine, without the slightest resemblance to anything she
says before or after. But we are weary. The characters in this act
frisk about, here, there, and every where, as teasingly as the Jack
o’ Lantern-lights which mischievous boys, from across a narrow street,
throw with a looking-glass on the faces of their opposite neighbours.
Bertram disarmed, outheroding Charles de Moor in the Robbers, befaces
the collected knights of St. Anselm, (all in complete armour) and so, by
pure dint of black looks, he outdares them into passive poltroons. The
sudden revolution in the Prior’s manners we have before noticed, and
it is indeed so outre, that a number of the audience imagined a great
secret was to come out, viz.: that the Prior was one of the many
instances of a youthful sinner metamorphosed into an old scold, and that
this Bertram would appear at last to be his son. Imogine re-appears at
the convent, and dies of her own accord. Bertram stabs himself, and dies
by her side, and that the play may conclude as it began, to wit, in
a superfetation of blasphemy upon nonsense, because he had snatched
a sword from a despicable coward, who retreats in terror when it is
pointed towards him in sport; this felo de se, and thief-captain--this
loathsome and leprous confluence of robbery, adultery, murder, and
cowardly assassination,--this monster, whose best deed is, the having
saved his betters from the degradation of hanging him, by turning Jack
Ketch to himself; first recommends the charitable Monks and holy Prior
to pray for his soul, and then has the folly and impudence to exclaim--
“I die no felon’s death,
A warriour’s weapon freed a warriour’s soul!”
CHAPTER XXIV
CONCLUSION
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account