Biographical Anecdotes of William Hogarth, With a Catalogue of His WorksNichols, John
General
Biographical Anecdotes of William Hogarth, With a Catalogue of His Works
Nichols, John
Hogarth, William, 1697-1764
A reader of these Anecdotes observes, "That the total silence of
_Pope_ concerning so great an artist, encourages a suspicion that his
attacks were felt though not resented. The thunders of the poet were
usually pointed at inglorious adversaries; but he might be conscious
of a more equal match in our formidable caricaturist. All ranks of
people have eyes for pencil'd ridicule, but of written satire we have
fewer judges. It may be suspected, that the 'pictured shape' would
never have been complained of, had it been produced only by a bungler
in his art. But from the powers of _Hogarth, Pope_ seems to have
apprehended more lasting inconvenience; and the event has justified
his fear. The frontispiece to _Smedley's Gulliveriana_ has been long
forgotten; but the _Gate of Burlington house_ is an object coveted by
all who assemble prints of humour.--It may be added, that our painter's
reputation was at the height ten years before the death of _Pope_,
who could not therefore have overlooked his merit, though, for some
reason or other, he has forborne to introduce the slightest allusion
to him or his performances. Yet these, or copies from them, were to
be met with in almost every public and private house throughout the
kingdom; nor was it easy for the bard of _Twickenham_ to have mixed in
the conversation of the times, without being obliged to hear repeated
praises of the author of _The Harlot's Progress_."
The sheet containing this page having been shewn to a friend, produced
from him the following remark: "That _Pope_ was silent on the merits
of _Hogarth_ (as one of your readers has observed) should excite
little astonishment, as our artist's print on the _South Sea_ exhibits
the translator of _Homer_ in no very flattering point of view. He is
represented with one of his hands in the pocket of a fat personage,
who wears a hornbook at his girdle. For whom this figure was designed,
is doubtful. Perhaps it was meant for _Gay_, who was a fat man, and
a loser in the same scheme."--"_Gay_," says Dr. _Johnson_, "in that
disastrous year had a present from young _Craggs_ of some _South-sea_
stock, and once supposed himself to be master of twenty-thousand
pounds. His friends persuaded him to sell his share; but he dreamed
of dignity and splendour, and could not bear to obstruct his own
fortune. He was then importuned to sell as much as would purchase an
hundred a year for life, which, says _Fenton_, will make you sure of
a clean shirt and a shoulder of mutton every day. This counsel was
rejected; the profit and principal were lost, and _Gay_ sunk under the
calamity so low that his life became in danger.--The Hornbook appended
to his girdle, perhaps, refers to the Fables he wrote for the Duke of
_Cumberland_. Some of your ingenious correspondents, or Mr. _Walpole_,
who is _instar omnium_, may be able to give a further illustration.
The conclusion to the inscription under this plate--_Guess at the
Public-domain text, read in full here on John Shaqi.
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