Biographical Anecdotes of William Hogarth, With a Catalogue of His WorksNichols, John
General
Biographical Anecdotes of William Hogarth, With a Catalogue of His Works
Nichols, John
Hogarth, William, 1697-1764
bad: it has a drunken appearance; and drunkenness is not the vice of a
gaming table.--The principal figure is _ill-drawn_. The _perspective_
is formal; and the _execution_ but indifferent: in heightening his
expression, _Hogarth_ has lost his spirit.
"The seventh plate, which gives us the view of a jail, has very little
in it. Many of the circumstances, which may well be supposed to
increase the misery of a confined debtor, are well contrived; but the
fruitful genius of _Hogarth_, I should think, might have treated the
subject in a more copious manner. The episode of the fainting woman
might have given way to many circumstances more proper to the occasion.
This is the same woman, whom the rake discards in the first print; by
whom he is rescued in the fourth; who is present at his marriage; who
follows him into jail; and, lastly, to _Bedlam_. The thought is rather
unnatural, and the moral certainly culpable.--The _composition_ is bad.
The group of the woman fainting is a round heavy mass: and the other
group is very ill-shaped. The _light_ could not be worse managed, and,
as the groups are contrived, can hardly be improved.--In the principal
figure there is great _expression_; and the fainting scene is well
described. A scheme to pay off the national debt, by a man who cannot
pay his own; and the attempt of a silly rake, to retrieve his affairs
by a work of genius; are admirable strokes of humour.
"The eighth plate brings the fortune of our hero to a conclusion. It
is a very expressive representation of the most horrid scene which
human nature can exhibit.--The _composition_ is not bad. The group,
in which the lunatic is chained, is well managed; and if it had been
carried a little further towards the middle of the picture, and the
two women (who seem very oddly introduced) had been removed, both
the composition, and the distribution of light, had been good.--The
_drawing_ of the principal figure is a more accurate piece of anatomy
than we commonly find in the works of this master. The _expression_
of the figure is rather unmeaning; and very inferior to the strong
characters of all the other lunatics. The fertile genius of the artist
has introduced as many of the causes of madness, as he could well have
collected; but there is some tautology. There are two religionists, and
two astronomers. Yet there is variety in each; and strong _expression_
in all the characters. The self-satisfaction, and conviction, of him
who has discovered the longitude; the mock majesty of the monarch; the
moody melancholy of the lover; and the superstitious horror of the
popish devotee; are all admirable.--The _perspective_ is simple and
proper.
"I should add, that these remarks are made upon the first edition of
this work. When the plates were much worn, they were altered in many
parts. They have gained by the alterations, in point of _design_; but
have lost in point of _expression_."
[A] The _architect_. Mr. _Gilpin_ means--the _gardener_.
Public-domain text, read in full here on John Shaqi.
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