Biographical Anecdotes of William Hogarth, With a Catalogue of His WorksNichols, John
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Biographical Anecdotes of William Hogarth, With a Catalogue of His Works
Nichols, John
Hogarth, William, 1697-1764
"I have no new books, alas! to amuse myself or you; so can only return
yours of _Hogarth's_ with thanks. It surprized me agreeably; for I had
conceived the performance to be a set of prints only, whereas I found
a book which I did not imagine _Hogarth_ capable of writing; for in
his pencil I always confided, but never imagined his pen would have
afforded me so much pleasure. As to his not fixing _the precise degree
of obliquity_, which constitutes beauty, I forgive him, because I think
the task too hard to be performed literally: but yet he conveys an idea
between his pencil and his pen, which makes one conceive his meaning
pretty well." Lady _Luxborough's_ Letters, p. 380.
I shall here transcribe as much from the _Analysis_ as is necessary to
communicate our artist's design relative to the various figures that
compose the country-dance in the second plate. The reader who neither
possesses the book, nor wishes to accompany the author throughout his
technical explanations, may desire some intelligence concerning the
present subject.
"CHAP. XIV.
"OF ATTITUDE.
"--As two or three lines at first are sufficient to shew the intention
of an attitude, I will take this opportunity of presenting my reader
with the sketch of a country-dance, in the manner I began to set out
the design; in order to shew how few lines are necessary to express
the first thoughts as to different attitudes [see fig. 71. T. p. 2.],
which describe, in some measure, the several figures and actions,
mostly of the ridiculous kind, that are represented in the chief part
of plate II.
"The most amiable person may deform his general appearance by throwing
his body and limbs into plain lines; but such lines appear still in
a more disagreeable light in people of a particular make; I have
therefore chose such figures as I thought would agree best with my
first score of lines, fig. 71.
Public-domain text, read in full here on John Shaqi.
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