Biographical Anecdotes of William Hogarth, With a Catalogue of His WorksNichols, John
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Biographical Anecdotes of William Hogarth, With a Catalogue of His Works
Nichols, John
Hogarth, William, 1697-1764
_Sterne_ probably was indebted for these plates (especially the
first of them) to the following compliment he had paid our author in
the first volume of _Tristram Shandy_. "Such were the outlines of
Dr. _Slop's_ figure, which, if you have read _Hogarth's Analysis of
Beauty_, and, if you have not, I wish you would, you must know, may as
certainly be caracatured, and conveyed to the mind by three strokes as
three hundred."
2. Frontispiece to _Brook Taylor's_ Perspective of Architecture.[1]
With an attempt at a new order. _W. Hogarth, July_ 1760. _W. Woollet
sculp._ Lest any reader should suppose that this idea of forming a
new capital out of the Star of St. _George_, the Prince of _Wales's_
Feather,[2] and a regal Coronet, was hatched in the mind of _Hogarth_
after he had been appointed Serjeant Painter, the following passage
in the _Analysis_ will prove that many years before he had conceived
the practicability of such an attempt: see p. 40. "I am thoroughly
convinced in myself, however it may startle some, that a completely
new and harmonious order of architecture in all its parts might be
produced, &c." Again, p. 46. "Even a capital, composed of the aukward
and confined forms of hats and perriwigs, as Fig. 48. Plate I. in a
skilful hand might be made to have some beauty." Mr. _S. Ireland_ has
the original sketch.
[1] Published in two volumes, folio, 1761, by _Joshua Kirby_, Designer
in Perspective to his Majesty.--"Here is a curious frontispiece,
designed by Mr. _Hogarth_; but not in the same ludicrous style as the
former (see p. 333): it were to be wished that he had explained its
meaning; for, being symbolical, the meaning of it is not so obvious
as the other. To me it conveys the idea, which _Milton_ so poetically
describes, of the angel _Uriel_ gliding down to Paradise on a sun-beam;
but the young gentleman has dropped off before he had arrived at his
journey's end, with _Palladio's_ book of architecture on his knees.
A ray of light from the sun, rising over a distant mountain, is
directed to a scroll on the ground, on which are two or three scraps
of perspective; over which, supported by a large block of stone, is
the upper part of a sceptre, broke off; the shaft very obliquely and
absurdly inclined, somewhat resembling the _Roman_ fasces, and girt
above with the Prince of _Wales's_ coronet, as an astragal, through
which the fasces rise, and swell into a crown, adorned with embroidered
stars; this is the principal object, but most vilely drawn. The ray
passes through a round temple, at a considerable distance, which is
also falsly represented, the curves being for the distance too round,
and consequently the diminution of the columns is too great. It appears
to pass over a piece of water; on this side the ground is fertile and
luxuriant with vegetation, abounding with trees and shrubs; on the
other side it is rocky and barren.[A] What is indicated by this seems
to be, that, where the arts are encouraged by the rays of royal favour,
Public-domain text, read in full here on John Shaqi.
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