Biology and Its Makers: With Portraits and Other IllustrationsLocy, William A. (William Albert)
History
Biology and Its Makers: With Portraits and Other Illustrations
Locy, William A. (William Albert)
Biology -- History
The Return to the Science of the Ancients.--The return to Aristotle
was wholesome, and under its influence men turned their attention once
more to real animals. Comments upon Aristotle began to be made, and in
course of time independent treatises upon animals began to appear. One
of the first to modify Aristotle to any purpose was Edward Wotton, the
English physician, who published in 1552 a book on the distinguishing
characteristics of animals (_De Differentiis Animalium_). This was a
complete treatise on the zoölogy of the period, including an account of
the different races of mankind. It was beautifully printed in Paris,
and was dedicated to Edward VI. Although embracing ten books, it was
by no means so ponderous as were some of the treatises that followed
it. The work was based upon Aristotle, but the author introduced new
matter, and also added the group of zoöphytes, or plant-like animals of
the sea.
Gesner.--The next to reach a distinctly higher plane was Conrad Gesner
(1516-1565), the Swiss, who was a contemporary of Vesalius. He was
a practising physician who, in 1553, was made professor of natural
history in Zurich. A man of extraordinary talent and learning, he
turned out an astonishing quantity of work. Besides accomplishing much
in scientific lines, he translated from Greek, Arabic, and Hebrew, and
published in twenty volumes a universal catalogue of all works known
in Latin, Greek, and Hebrew, either printed or in manuscript form. In
the domain of natural history he began to look critically at animals
with a view to describing them, and to collect with zealous care new
observations upon their habits. His great work on natural history
(_Historia Animalium_) began to appear in 1551, when he was thirty-five
years of age, and four of the five volumes were published by 1556.
The fifth volume was not published until 1587, twenty-two years after
his death. The complete work consists of about "4,500 folio pages,"
profusely illustrated with good figures. The edition which the writer
has before him--that of 1585-1604--embraces 3,200 pages of text and 953
figures.
Brooks says: "One of Gesner's greatest services to natural science is
the introduction of good illustrations, which he gives his reader by
hundreds." He was so exacting about the quality of his illustrations
that his critical supervision of the work of artists and engravers had
its influence upon contemporary art. Some of the best woodcuts of the
period are found in his work. His friend Albrecht Dürer supplied one of
the originals--the drawing of the rhinoceros--and it is interesting to
note that it is by no means the best, a circumstance which indicates
how effectively Gesner held his engraver and draughtsman up to fine
work. He was also careful to mold his writing into graceful form, and
this, combined with the illustrations, "made science attractive without
sacrificing its dignity, and thus became a great educational influence."
Public-domain text, read in full here on John Shaqi.
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