Birds and Bees, Sharp Eyes, and Other PapersBurroughs, John
History
Birds and Bees, Sharp Eyes, and Other Papers
Burroughs, John
Bees; Birds; Natural history -- Outdoor books
Such a cavity makes a snug, warm home, and when the entrance is on the
under side if the limb, as is usual, the wind and snow cannot reach
the occupant. Late in December, while crossing a high, wooded mountain,
lured by the music of fox-hounds, I discovered fresh yellow chips
strewing the new-fallen snow, and at once thought of my woodpeckers. On
looking around I saw where one had been at work excavating a lodge in a
small yellow birch. The orifice was about fifteen feet from the ground,
and appeared as round as if struck with a compass. It was on the east
side of the tree, so as to avoid the prevailing west and northeast
winds. As it was nearly two inches in diameter, it could not have been
the work of the downy, but must have been that of the hairy, or else the
yellow-bellied woodpecker. His home had probably been wrecked by some
violent wind, and he was thus providing himself another. In digging out
these retreats the woodpeckers prefer a dry, brittle, trunk, not too
soft. They go in horizontally to the centre and then turn downward,
enlarging the tunnel as they go, till when finished it is the shape of a
long, deep pear.
Another trait our woodpeckers have that endears them to me, and that has
never been pointedly noticed by our ornithologists, is their habit
of drumming in the spring. They are songless birds, and yet all are
musicians; they make the dry limbs eloquent of the coming change. Did
you think that loud, sonorous hammering which proceeded from the orchard
or from the near woods on that still March or April morning was only
some bird getting its breakfast? It is downy, but he is not rapping at
the door of a grub; he is rapping at the door of spring, and the dry
limb thrills beneath the ardor of his blows. Or, later in the season,
in the dense forest or by some remote mountain lake, does that measured
rhythmic beat that breaks upon the silence, first three strokes
following each other rapidly, succeeded by two louder ones with longer
intervals between them, and that has an effect upon the alert ear as
if the solitude itself had at last found a voice--does that suggest
anything less than a deliberate musical performance? In fact, our
woodpeckers are just as characteristically drummers as is the ruffed
grouse, and they have their particular limbs and stubs to which they
resort for that purpose. Their need of expression is apparently just
as great as that of the song-birds, and it is not surprising that they
should have found out that there is music in a dry, seasoned limb which
can be evoked beneath their beaks.
Public-domain text, read in full here on John Shaqi.
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