Birds -- Juvenile literature; Birds -- Nests -- Juvenile literature; Natural history -- Juvenile literature
It is a welcome bird, being the earliest harbinger of spring, the first
singer of the year. Long before the swallow is thought of, before even
the hardy familiar robin has begun his song, its clear rich voice
may be heard on Christmas or New Year’s day, often amidst wild winds
and winterly storms, whence its also familiar name, the storm-cock.
It is known by different names in different parts of the country.
The origin of its more general appellation—the missel-thrush—I have
already mentioned. In the midland counties it is called the thrice
cock, but why I know not. In Wales it is known as _Pen-y-llwyn_, which
means the head or master of the coppice. Why it is so called I will
mention presently.
[Sidenote: _A Description of the Nest._]
The nest of the missel-thrush is large and well constructed, being
made of almost every material ordinarily used for nest-making
purposes—moss, and hay, and straw, and dry leaves, and little twigs,
and locks of wool, with occasional odds and ends of every possible
kind. All these are woven and wrought together very compactly; not,
however, without loose straws and little tangles of wool hanging about.
Within is a smooth casing of mud, as in the nest of the throstle, and
within that a second coating of dry grass. Our picture represents all
as being now complete. The busy labours of the year are now over; the
eggs, four or five in number, of a greenish-blue, marked with reddish
spots, are laid, and the mother-bird has taken her patient seat upon
them, whilst her mate, from the branch above, sings as if he never
meant to leave off again.
The song of this bird is loud, clear, and melodious—a cheering,
hopeful song; and when heard amidst the yet prevailing winter-storms,
as if in anticipation of better times, it well deserves our admiration.
It resembles, to a certain degree, the song of the blackbird and the
thrush, and is often mistaken for them; but it has not the short,
quick, and varied notes of the one, nor the sober, prolonged, and
eloquent melody of the other. On the contrary it is of an eager,
hurrying character, as if it could not sufficiently express its
emotion, and yet was trying to do so.
Public-domain text, read in full here on John Shaqi.
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