Birds in Town & VillageHudson, W. H. (William Henry)
History
Birds in Town & Village
Hudson, W. H. (William Henry)
Birds -- England
and tender at a distance of one hundred yards, there must be good
musical elements in it to begin with. I do not remark this dreaminess
in the notes of other birds, some crowing at an equal distance, others
still further away. All natural music is heard best at a distance; like
the chiming of bells, and the music of the flute, and the wild confused
strains of the bagpipes, for among artificial sounds these come the
nearest to those made by nature. The "shrill sharps" of the thrush must
be softened by distance to charm; and the skylark, when close at hand,
has both shrill and harsh sounds scarcely pleasing. He must mount
high before you can appreciate his merit. I do not recommend any one to
keep a caged cock in his study for the sake of its music, crow it never
so well.
To return to the ten cockerels; they did not crow very much, and at
first I paid little attention to them. After a few days I remarked that
one individual among them was rapidly acquiring the clear vigorous
strain of the adult bird. Compared with that fine note which I have
described, it was still weak and shaky, but in shape it was similar, and
the change had come while its brethren were still uttering brief and
harsh screeches as at the beginning. Probably, where there is a great
mixture of varieties, it is the same with the fowl as with man in the
diversity of the young, different ancestral characters appearing in
different members of the same family. This cockerel was apparently the
musical member, and promised in a short time to rival his neighbour.
Having heard that it was intended to keep one of the cockerels to be the
parent of future broods, I began to wonder whether the prize in the
lottery--to wit, life and a modest harem--would fall to this fine
singer or not. The odds were that his musical career would be cut short
by an early death, since the ten birds were very much alike in other
respects, and I felt perfectly sure that his superior note would weigh
nothing in the balance. For when has the character of the voice
influenced a fancier in selecting? Never I believe, odd as it seems. I
have read a very big book on the various breeds of the fowl, but the
crowing of the cock was not mentioned in it. This would not seem so
strange if fanciers had invariably looked solely to utility, and their
highest ambition had ended at size, weight and quality of flesh, early
maturity, hardihood, and the greatest number of eggs. This has not been
the case. They possess, like others, the love of the beautiful,
artificial as their standards sometimes appear; and there are breeds in
which beauty seems to have been the principal object, as, for instance,
in several of the gold and silver spangled and pencilled varieties. But,
besides beauty of plumage, there are other things in the fowl worthy of
being improved by selection. One of these has been cultivated by man for
thousands of years, namely, the combative spirit and splendid courage of
the male bird.
Public-domain text, read in full here on John Shaqi.
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