Certainly there is nothing spiritual in the song of the chaffinch. There he sits within sight, motionless, a little bird-shaped automaton, made to go off at intervals of twelve or thirteen seconds; but unfortunately one hears with the song the whirr and buzz of the internal machinery. It is not now as in April, when it is sufficient in a song that it shall be joyous; in the leafy month, when roses are in bloom, one grows critical, and asks for sweetness and expression, and a better art than this vigorous garden singer displays in that little double flourish with which he concludes his little hurry-scurry lyric. He has practised that same flourish for five thousand years--to be quite within the mark--and it is still far from perfect, still little better than a kind of musical sneeze. So long is art! Perhaps in some subtle way, beyond the psychologist's power to trace, he has become aware of my opinion of his performance--the unspoken detraction which yet affects its object; and, feeling hurt in his fringilline _amour propre_, he has all at once taken himself off. Never mind; a better singer has succeeded him. I have heard and seen the little wren a dozen times to-day; now he has come to the upper part of the tree I am lying under, and although so near his voice sounds scarcely louder than before. This is also a lyric, but of another kind. It is not plaintive, nor passionate; nor is it so spontaneous as the warbling of the robin--that most perfect feathered impressionist; nor is it endeared to me by early associations since I listened in boyhood to the songs of other wrens. In what, then, does its charm consist? I do not know. Certainly it is delicate, and may even be described as brilliant, in its limited way perfect, and to other greater songs like the small pimpernel to a poppy or a hollyhock. Unambitious, yet finished, it has the charm of distinction. The wren is the least self-conscious of our singers. Somewhere among the higher green translucent leaves the little brown barred thing is quietly sitting, busy for the nonce about nothing, dreaming his summer dream, and unknowingly telling it aloud. When shall we have symbols to express as perfectly our summer-feeling--our dream?