With them, on these retaliatory sallies, goes that most intrepid of
sea-fowl, the skua--one of the many birds that the sailor calls
"molly-hawks," and that the lesser creatures dread like a bird of prey.
For such it really is, living chiefly upon the fish the other birds have
caught, upon the birds themselves, and during the nesting season upon
the eggs and young of all species indiscriminately: so reckless in
attack that nothing on wings dares to oppose it, and so powerful that
full-grown gulls, if they persist in the fight, succumb to it. He laughs
the sea-eagle to scorn, challenging it by loud squalls to a duel. But
the erne knows better than to join in a conflict from which neither
honour nor profit can come, and spreading his great square-cut wings to
the breeze, drifts swiftly away from the spot over the moorland that the
skua calls its own. Where the herring-fishers are at work, there the
skua is sure to be, gobbling as much as it can find for itself, and
chasing all the other birds to make them drop their shares. Nor when
there are eggs in its nest does the skua hesitate to threaten human
beings that approach it, and indeed actually to attack them; while there
are few dogs, if any, that have ever encountered an angry skua, and had
experience of its sharp beak and battering wings, that care to face the
fierce fowl a second time.
CHAPTER VII
THE KINGFISHER--THE MYSTERY AND FOLK-LORE OF THE HALCYON--THE WATER-VOLE
AT HOME--IN THE WATER-MEADOWS--THE MOORHEN AND ITS HAUNTS--THE
REED-WARBLER--THE SEDGE-WARBLER--MUSIC OF THE SUMMER NIGHTS--WAKING THE
SUN
CHAPTER VII
"_The long-leaved willow, on whose bending spray,_
_The py'd Kingfisher, having got his prey,_
_Sate with the small breath of the water shaken,_
_Till he devoured the fish that he had taken._"
So writes Michael Drayton in the sixteenth century, and how true an
observer of Nature the old poet was is proved by the words of our latest
ornithologist: "It alights on some twig bending over the stream, its
weight causing it to swing gently to and fro, whence it scans the young
trout sporting in the pool below, and suddenly it will drop into the
water, and almost before the spectator is aware of the fact, is back
again on its perch with a struggling fish in its beak." Nor must the
meaning of Drayton's "py'd" be mistaken, for in his day, and indeed much
later, anything of more than one colour was called pied, so long as
gaiety of tint was the result of the combination. So Shakespeare calls
the daisy "pied," and Ben Jonson the rainbow.
But to come back to our kingfisher, "famousèd for
[Illustration: THE KING OF THE POOL]
Public-domain text, read in full here on John Shaqi.
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