Above all, there was the moorhen, a bird that one can surely never be
tired of watching, it is so full of quips and cranks. It has a little
red wafer on its nose and queer little patches of white under its tail,
which it keeps on flicking as it goes in a comical automatic sort of
way, in time with its steps, as if its tail were a kind of pedometer
measuring off the distances it walks. And when it is in the water
swimming, it jerks its head backwards and forwards, as if doing so
helped it along and it could not help jerking every time it kicked out
its legs. And when it is in the water, how it bobs about! You can never
depend upon it for an instant, going in the direction it started for;
something or other is sure to attract its attention, especially if it
has its brood behind it, and its mate is on the watch, making a great
show of vigilance and unnecessary sagacity. The young ones--trying to
follow the mother's movements as she darts at a fly here, pecks at
something there, suddenly stands on her head to fetch something up from
down below, or makes an unexpected dash at an insect that is skimming
across to the reeds--twist and wind about and get in each other's way,
like a squad of badly-managed boats, that keep on fouling and ramming
one another, and all the time keep up a feeble little chorus of
disconsolate cheep-cheep. But they are learning their lessons all the
time, and it is delightful to watch their imitations. They gape at the
passing flies, make sudden little excursions, three inches at a time,
after something they think they see, and ridiculously attempt to dive,
as they notice their mother do. But they are so light and so weak that
the resistance of the water is too much for them, and all they can do is
to put their heads under water and kick in the air with their legs,
exactly like little boys trying to turn somersaults on the grass, but
only getting half over.
Public-domain text, read in full here on John Shaqi.
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