But the thing that impressed Peter most was the solidity and stability
of this Southern village that he could hear moving around him, and its
certainty to go on in the future precisely as it had gone on in the
past. It was a tremendous force. The very old manor about him seemed
huge and intrenched in long traditions, while he, Peter Siner, was just
a brown man, naked behind a screen and rather cold from the fog and damp
of the morning.
He listened to old Rose clashing the kitchen utensils. As he drew on his
damp underwear, he wondered what he could say to old Rose that would
persuade her into a little kindliness and tolerance for the white
people. As he listened he felt hopeless; he could never explain to the
old creature that her own happiness depended upon the charity she
extended to others. She could never understand it. She would live and
die precisely the same bitter old beldam that she was, and nothing could
ever assuage her.
While Peter was thinking of the old creature, she came shuffling along
the back piazza with his breakfast. She let herself in by lifting one
knee to a horizontal, balancing the tray on it, then opening the door
with her freed hand.
When the shutter swung open, it displayed the crone standing on one
foot, wearing a man's grimy sock, which had fallen down over a broken,
run-down shoe.
In Peter's mood the thought of this wretched old woman putting on such
garments morning after morning was unspeakably pathetic. He thought of
his own mother, who had lived and died only a shade or two removed from
the old crone's condition.
Rose put down her foot, and entered the room with her lips poked out,
ready to make instant attack if Peter mentioned his lack of supper the
night before.
"Aunt Rose," asked the secretary, with his friendly intent in his tones,
"how came you to look in this morning and say you didn't expect to find
me in my room?"
She gave an unintelligible grunt, pushed the lamp to one side, and eased
her tray to the table.
Peter finished touching his tie before one of those old-fashioned
mirrors, not of cut-glass, yet perfectly true. He came from the mirror
and moved his chair, out of force of habit, so he could look up the
street toward the Arkwrights'.
"Aunt Rose," said the young man, wistfully, "why are you always angry?"
She bridled at this extraordinary inquiry.
"Me?"
"Yes, you."
She hesitated a moment, thinking how she could make her reply a personal
assault on Peter.
"'Cause you come heah, 'sputin' my rights, da' 's' why."
"No," demurred Peter, "you were quarreling in the kitchen the first
morning I came here, and you didn't know I was on the place."
"Well--I got my tribulations," she snapped, staring suspiciously at
these unusual questions.
There was a pause; then Peter said placatingly:
"I was just thinking, Aunt Rose, you might forget your tribulations if
you didn't ride them all the time."
"Hoccum! What you mean, ridin' my tribulations?"
Public-domain text, read in full here on John Shaqi.
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