And then Peter remembered the single bit of wisdom that his whole life
had taught him. It was this: no people can become civilized until the
woman has the power of choice among the males that sue for her hand. The
history of the white race shows the gradual increase of the woman's
power of choice. Among the yellow races, where this power is curtailed,
civilization is curtailed. It was this principle that exalted chivalry.
Upon it the white man has reared all his social fabric.
So deeply ingrained is it that almost every novel written by white men
revolves about some woman's choice of her mate being thwarted by power
or pride or wealth, but in every instance the rightness of the woman's
choice is finally justified. The burden of every song is love, true
love, enduring love, a woman's true and enduring love.
And in his moment of clairvoyance Peter saw that these songs and stories
were profoundly true. Against a woman's selectiveness no other social
force may count.
That was why his own race was weak and hopeless and helpless. The males
of his people were devoid of any such sentiment or self-repression. They
were men of the jungle, creatures of tusk and claw and loin. This very
act of violence against his person condemned his whole race.
These thoughts brought the mulatto an unspeakable sadness, not only for
his own particular death, but that this idea, this great redeeming
truth, which burned so brightly in his brain, would in another moment
flicker out, unrevealed, and be no more.
CHAPTER XVIII
The coughing and rattling of an old motor-car as it rounded the
Niggertown curve delayed Tump Pack's act of violence. Instinctively, the
three men waited for the machine to pass before Peter walked out into
the road. Next moment it appeared around the turn, moving slowly through
the dust and spreading a veritable fog behind it.
All three negroes recognized the first glimpse of the hood and top, for
there are only three or four cars in Hooker's Bend, and these are as
well known as the faces of their owners. This particular motor belonged
to Constable Bobbs, and the next moment the trio saw the ponderous body
of the officer at the wheel, and by his side a woman. As the machine
clacked toward them Peter felt a certain surprise to see that it was
Cissie Dildine.
The constable in the car scrutinized the black men, by the roadside in a
very peculiar way. As he came near, he leaned across Cissie and almost
eclipsed the girl. He eyed the trio with his perpetual menace of a grin
on his broad red face. His right hand, lying across Cissie's lap, held a
revolver. When closest he shouted above the clangor of his engine:
"Now, none o' that, boys! None o' that! You'll prob'ly hit the gal if
you shoot, an' I'll pick you off lak three black skunks."
Public-domain text, read in full here on John Shaqi.
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