"Now, Peter, we want to get down to this," he announced dynamically; "do
this thing, shove this work out!" He started with tottery briskness
around to his manuscript drawer, but veered off to the left to aline
some magazines. "System, Peter, system. Without system one may well be
hopeless of performing any great literary labor; but with system, the
constant piling up of brick on brick, stone on stone--it's the way Rome
was built, my boy."
Peter made a murmur supposed to acknowledge the correctness of this
view.
Eventually the old Captain drew out his drawer of manuscript, stood
fumbling with it uncertainly. Now and then he glanced at Peter, a
genuine secretary who stood ready to help him in his undertaking. The
old gentleman picked up some sheets of his manuscript, seemed about to
read them aloud, but after a moment shook his head, and said, "No, we'll
do that to-night," and restored them to their places. Finally he turned
to his helper.
"Now, Peter," he explained, "in doing this work, I always write at
night. It's quieter then,--less distraction. My mornings I spend
downtown in conversation with my friends. If you should need me, Peter,
you can walk down and find me in front of the livery-stable. I sit there
for a while each morning."
The gravity with which he gave this schedule of his personal habits
amused Peter, who bowed with a serious, "Very well, Captain."
"And in the meantime," pursued the old man, looking vaguely about the
room, "you will do well to familiarize yourself with my library in order
that you may be properly qualified for your secretarial labors."
Peter agreed again.
"And now if you will get my hat and coat, I will be off and let you go
to work," concluded the Captain, with an air of continued urgency.
Peter became thoroughly amused at such an outcome of the old gentleman's
headlong attack on his work,--a stroll down to the village to hold
conversation with friends. The mulatto walked unsmilingly to a little
closet where the Captain hung his things. He took down the old
gentleman's tall hat, a gray greatcoat worn shiny about the shoulders
and tail, and a finely carved walnut cane. Some reminiscence of the
manners of butlers which Peter had seen in theaters caused him to swing
the overcoat across his left arm and polish the thin nap of the old hat
with his right sleeve. He presented it to his employer with a certain
duplication of a butler's obsequiousness. He offered the overcoat to the
old gentleman's arms with the same air. Then he held up the collar of
the greatcoat with one hand and with the other reached under its skirts,
and drew down the Captain's long day coat with little jerks, as if he
were going through a ritual.
Peter grew more and more hilarious over his barber's manners. It was his
contribution to the old gentleman's literary labors, and he was doing it
beautifully, so he thought. He was just making some minute adjustments
of the collar when, to his amazement, Captain Renfrew turned on him.
Public-domain text, read in full here on John Shaqi.
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