Peter walked on up the street, outwardly calm, but his ears burned, and
the queer indignity stuck in his mind. As he went along he invented all
sorts of ironical remarks he might have made to Arkwright, which would
have been unwise; then he thought of sober reasoning he could have used,
which would perhaps have been just as ill-advised. Still later he
wondered why Arkwright had fallen into such a rage over such a trifle.
Peter felt sure there was some contributing rancor in the youth's mind.
Perhaps he had received a scolding at home or a whipping at school, or
perhaps he was in the midst of one of those queer attacks of megalomania
from which adolescents are chronic sufferers. Peter fancied this and
that, but he never came within hail of the actual reason.
When the brown man reached the old manor, the quietude of the library,
with its blackened mahogany table, its faded green Axminster, the
meridional globe with its dusty twinkle, banished the incident from his
mind. He returned to his work of card-indexing the Captain's books. He
took half a dozen at a time from the shelves, dusted them on the piazza,
then carried them to the embrasure of the window, which offered a
pleasant light for reading and for writing the cards.
He went through volume after volume,--speeches by Clay, Calhoun, Yancy,
Prentiss, Breckenridge; an old life of General Taylor, Foxe's "Book of
Martyrs"; a collection of the old middle-English dramatists, such as
Lillo, Garrick, Arthur Murphy, Charles Macklin, George Colman, Charles
Coffey, men whose plays have long since declined from the boards and
disappeared from the reading-table.
Public-domain text, read in full here on John Shaqi.
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