“Bucher is also away,” I observed, “on a long leave of absence, for the present.” He: “Yes, because he has begged me, I should say ten times, to allow him to retire on account of his health. I have at length given him leave for six months on full pay. He was an excellent book of reference for all occasions, as his good memory had enabled him to read and collect a great deal of information. In addition to that he is a good and worthy man”--a statement in which I heartily concurred. By this time it was nearly 4 o’clock, and on his pausing for a moment I rose to go. Before leaving I begged him to let me know when he thought I could be of any active use in the press, and he promised to do this. The servant then showed me upstairs through the large _salon_ (in which a Christmas tree was still standing, as well as a table covered with presents), and from this into a room opening on the garden. Here were large full length portraits in oils of the Emperor William, in ermine robes, and the Emperors of Austria and Russia, an oil painting of the proclamation of the German Empire at Versailles (at that time only the frame, the picture having been removed to be varnished), and on the black chimney piece the Chinese elephant tusk, almost two metres in length. In another room I saw an excellent new portrait of the Chancellor (painted by Angeli, according to the servant), and, leaning against a sofa, a half length portrait of Pope Leo XIII., by Lenbach. (...) _May 29th._--I called on Bucher ... who told me he had received the Emperor’s order placing him on the retired list, together with the instructions of the Imperial Chancellor, by which it was accompanied. In conclusion the Chancellor thanked him for his long service, and added “hearty” good wishes for his future....